The Turkish Bath

The Turkish Bath
French: Le Bain turc
A large group of nude or barely clothed women lounge around a pool in an Orientalist vision of a harem. Some engage in activities such as eating, dancing, doing each other’s hair, and playing musical instruments. Most are light-skinned but a few have darker skin.
ArtistJean-Auguste-Dominique Ingres
Year1852–59, modified in 1862
MediumOil on canvas glued to wood
Dimensions108 cm × 110 cm (42 1/2 in × 43 5/16 in)
LocationMusée du Louvre, Paris
AccessionR.F. 1934

The Turkish Bath (Le Bain turc) is an oil painting by Jean-Auguste-Dominique Ingres, initially completed between 1852 and 1859, but modified in 1862.[1] The painting depicts a group of nude women at a pool in a harem.[1] It has an erotic style that evokes both the Near East and earlier western styles associated with mythological subject matter. The painting expands on a number of motifs that Ingres had explored in earlier paintings,[1] in particular The Valpinçon Bather (1808) and La Grande odalisque (1814) and is an example of Romanticism.

The work is signed and dated 1862, when Ingres was around 82 years old.[2] He altered the original rectangular format and changed the painting to a tondo. A photograph of its original state, taken by Charles Marville, survives.[3]

  1. ^ a b c "The Turkish Bath". Louvre. Retrieved 18 July 2018.
  2. ^ Rosenblum, Robert (1999). "Ingres's Portraits and their Muses". In Tinterow, Gary; Conisbee, Philip (eds.). Portraits by Ingres: Image of an Epoch. New York: Metropolitan Museum of Art. p. 126.
  3. ^ Rosenblum, Robert (2024). "Ingres's Portraits and their Muses". In Tinterow, Gary; Conisbee, Philip (eds.). Portraits by Ingres: Image of an Epoch. New York: Metropolitan Museum of Art. p. 128.