The Way Life's Meant to Be

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"The Way Life's Meant to Be"
Single by Electric Light Orchestra
from the album Time
B-side	"Wishing"
Released	March 1982 (UK)
Recorded	1981
Studio	Polar Studios, Stockholm, Sweden
Genre	Pop rock
Length	4:38
Label	Jet
Songwriter(s)	Jeff Lynne
Producer(s)	Jeff Lynne
Electric Light Orchestra singles chronology
"Rain Is Falling" (1982) "The Way Life's Meant to Be" (1982) "Rock 'n' Roll Is King" (1983)
Time track listing
13 tracks Side one "Prologue" "Twilight" "Yours Truly, 2095" "Ticket to the Moon" "The Way Life's Meant to Be" "Another Heart Breaks" Side two "Rain Is Falling" "From the End of the World" "The Lights Go Down" "Here Is the News" "21st Century Man" "Hold on Tight" "Epilogue"

"The Way Life's Meant to Be" is a song written by Jeff Lynne and performed by Electric Light Orchestra (ELO). The single peaked at number 30 on the German Media Control Singles Chart.^[1]

"The Way Life's Meant to Be" was the first song recorded for Time, a few months before the main recording sessions.^[2] The song is track five on the 1981 album Time and was the last track to be released as a single from the album in the UK. It starts with gentle violins, and continues with flamenco-like guitar playing, and castanets. The south Mediterranean sound continues throughout the vocal and choiring on the refrain. Continuing the theme of time travel, the lyrics deal with the protagonist's Future Shock at seeing his town over a hundred years later, and his disappointment at how the future is not nearly as utopian as the people of 1981, himself included, had predicted.

It was the first single since "Nightrider" in 1976 that failed to chart in the UK.^[2] The B-side was "Wishing" taken from the Discovery album. The song was recorded at the Polar Studios in Stockholm, unlike the majority of the songs of the album that were recorded at Musicland Studios in Munich.

It seemed to be [a pessimistic view] on that song.

Yeah, well, in that particular song he's like walking down the same street that it was before, like say a hundred years before. But uh, even though he's on the same bit of ground, everything that he knew is like, buried under this new shit, y'know, that's growing up on top of it, all these plastic ivory towers and stuff.

Ah, the castanets. It was a bit Russian but we put castanets on it and it became Spanish.

— Jeff Lynne (1981 – Interview with Jim Ladd)^[3]

According to ELO drummer Bev Bevan, the castanets and acoustic guitars in layers were intended to give the song a Phil Spectorish wall of sound feel.^[2]