The Woman I Loved So Well | ||||
---|---|---|---|---|
Studio album by Planxty | ||||
Released | 1980 | |||
Recorded | April–May 1980 | |||
Studio | Windmill Lane Studios, Dublin | |||
Genre | Irish folk music | |||
Length | 44:51 | |||
Label | Tara | |||
Producer | Dónal Lunny, Brian Masterson | |||
Planxty chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
Allmusic | [1] |
The Woman I Loved So Well[2]: 273–287 is the fifth studio album by Planxty. Like their previous album, After The Break, the album was recorded at Windmill Lane Studios and released by Tara Records. Co-produced by band member Dónal Lunny and engineer Brian Masterson, the album was recorded in April and May of 1980 and released on LP in July of that year. It remains in print on CD and in digital form from Tara to date.[3]
Like their sixth album—Words & Music—the album features a total of eight musicians, more than any other Planxty album. The core line-up of Christy Moore, Dónal Lunny, Andy Irvine and Liam O'Flynn are joined again by flautist Matt Molloy, who had left the band shortly after the release of After The Break to join The Chieftains full-time. Newcomer Bill Whelan joined the group in the studio to play keyboards, as did the concertina/fiddle duo of Noel Hill and Tony Linnane, who completed a short tour of Ireland with the group prior to the recording.[2]: 275
The album concludes with an epic nine and a half minute rendition of the ballad "Little Musgrave", which Moore had previously recorded on his self-titled solo album, in 1976. Moore has stated that he first found the song's lyrics on papers scattered on the floor of an auctioneer's in Dublin,[2]: 279 although the song had previously been recorded by many artists (see "Matty Groves").