Theatre of Italy

The theatre of Italy originates from the Middle Ages, with its background dating back to the times of the ancient Greek colonies of Magna Graecia, in Southern Italy, the theatre of the Italic peoples and the theatre of ancient Rome. It can therefore be assumed that there were two main lines of which the ancient Italian theatre developed in the Middle Ages. The first, consisting of the dramatization of Catholic liturgies and of which more documentation is retained, and the second, formed by pagan forms of spectacle such as the staging for city festivals, the court preparations of the jesters and the songs of the troubadours.

Renaissance humanism was also a turning point for the Italian theatre. The recovery of the ancient texts, both comedies and tragedies, and texts referring to the art of the theatre such as Aristotle's Poetics, also gave a turning point to representational art, which re-enacted the Plautian characters and the heroes of Seneca's tragedies, but also building new texts in the vernacular.

The Commedia dell'arte (17th century) was, at first, an exclusively Italian phenomenon. Commedia dell'arte spread throughout Europe, but it underwent a clear decline in 18th century.

During the second half of the 19th century, the romantic tragedy gave way to the Teatro verista. At the beginning of the 20th century, the influences of the historical avant-gardes made themselves felt: Futurism, Dadaism and Surrealism. The second post-war period was characterized by the Teatro di rivista.