 First edition cover | |
| Author | Patrick O'Brian |
|---|---|
| Language | English |
| Series | Aubrey-Maturin series |
| Genre | Historical novel |
| Publisher | Collins (UK) |
Publication date | 1983 |
| Publication place | United Kingdom |
| Media type | Print (Hardback & Paperback) & Audio Book (Compact audio cassette, Compact Disc) |
| Pages | 408 paperback edition |
| ISBN | 0-00-222169-1 first edition; hardback |
| OCLC | 31989694 |
| LC Class | PR6029.O55 |
| Preceded by | The Ionian Mission |
| Followed by | The Far Side of the World |
Treason's Harbour is the ninth historical novel in the Aubrey-Maturin series by British author Patrick O'Brian, first published in 1983. The story is set during the Napoleonic Wars.
While with Captain Jack Aubrey awaiting repairs on his ship in Malta, Stephen Maturin discovers that the island is home to a ruthless network of French spies. An unwilling French informer needs help from Maturin, who discovers her predicament and helps her. Meanwhile, a new Admiral arrives at Malta. He sends Aubrey on three missions across the Mediterranean to the Red Sea, one on borrowed ships, and two of the missions are traps. Aubrey escapes the predicaments, but Admiral Harte dies when his ship of the line is destroyed in an ambush. The high level double agent whose existence Maturin begins to suspect does not succeed in undoing either Maturin or Aubrey, yet.
After the reissue of the novel in 1992, it received strong praise. In mentioning the dramatic fate of Mr Hairabedian, one reviewer wryly states that nothing happens in the novel, but the novels are "filled with real people doing real things, brilliantly imagined and conveyed in crisp, clear, strong writing."[1] Another gives negative reviews to a particular narrator of an audio version by praising O'Brian's writing: "characters' voices lack consistency and sensitivity to the subtleties of O'Brian's pen";[2] and yet more strongly, "The narrative turns from nefarious intrigues in Malta to an amazing mission in the Red Sea and back again, but the drama is [not] conveyed . . ."[2]