Tristan und Isolde

Tristan und Isolde
Music drama by Richard Wagner
Ludwig Schnorr von Carolsfeld and his wife Malvina starring as Tristan and Isolde in the first performance.
LibrettistRichard Wagner
LanguageGerman
Based onTristan and Iseult
by Gottfried von Strassburg
Premiere
10 June 1865 (1865-06-10)
Königliches Hof- und Nationaltheater, Munich

Tristan und Isolde (Tristan and Isolde), WWV 90, is a music drama in three acts by Richard Wagner set to a German libretto by the composer, loosely based on the medieval 12th-century romance Tristan and Iseult by Gottfried von Strassburg. First conceived in 1854, the music was composed between 1857 and 1859 and premiered at the Königliches Hoftheater und Nationaltheater in Munich on 10 June 1865 with Hans von Bülow conducting.[1] While performed by opera companies, Wagner preferred the term Handlung (German for "plot" or "action") for Tristan to distinguish its structure of continuous narrative flow ("endless melody") as distinct from that of conventional opera at the time which was constructed of mundane recitatives punctuated by showpiece arias, which Wagner had come to regard with great disdain.

Wagner's composition of Tristan und Isolde was inspired in part by the philosophy of Arthur Schopenhauer, as well as by his relationship with his muse Mathilde Wesendonck.[2] The opera, which explores existential themes such as that of mankind's insatiable striving and the transcendental nature of love and death, incorporates spirituality from Christian mysticism and well as Vedantic and Buddhist metaphysics, subjects that also interested Schopenhauer.[3] As such, Wagner was one of the earliest Western artists to introduce concepts from the Dharmic religions into their works.[4]

Tristan und Isolde is widely acknowledged as one of the greatest achievements of Western art music, intriguing audiences with philosophical depths not usually associated with opera, and the "terrible and sweet infinity" of its musical-poetic language.[5] Its advanced harmony, immediately announced by the famous opening Tristan chord of its prelude, marks a defining moment in the evolution of modern music, characterized by unprecedented use of chromaticism, tonal ambiguity, orchestral colour, and prolonged harmonic suspension.[6] While these innovations divided audiences initially, the opera grew in popularity and became enormously influential among Western classical composers, providing direct inspiration to Anton Bruckner, Gustav Mahler, Richard Strauss, Alban Berg, Arnold Schoenberg, and Benjamin Britten. Other composers such as Claude Debussy, Maurice Ravel, and Igor Stravinsky formulated their styles in contrast to Wagner's musical legacy.[7]

  1. ^ Cavendish, Richard. "The premiere of Tristan und Isolde". History Today Ltd. Company no. 1556332. History Today. Retrieved 31 October 2024.
  2. ^ Weiler, Sherri (January 2006). "Richard Wagner's Wesendonck Lieder: Isolde Personified" (PDF). Journal of Singing. 62 (3): 267–278. Retrieved 31 October 2024.
  3. ^ Magee 2001, pp. 126–152.
  4. ^ Atkinson, Timothy (February 2007). "Western Buddhism: Past, Present and Future". International Journal of Buddhist Thought & Culture. 8: 149–163. Retrieved 31 October 2024.
  5. ^ Groos, Arthur (2011). Richard Wagner: Tristan und Isolde. Cambridge, UK ; New York: Cambridge University Press. p. 1. ISBN 9780521437387.
  6. ^ Millington, Barry (2001). "Tristan und Isolde". The New Grove Dictionary of Music and Musicians. 26 (2nd ed.): 218–225.
  7. ^ Vazsonyi, Nicholas (2013). The Cambridge Wagner Encyclopedia. New York: Cambridge University Press. ISBN 110700425X.