"Twilight" | ||||
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Single by Electric Light Orchestra | ||||
from the album Time | ||||
B-side | "Julie Don't Live Here" | |||
Released | 16 October 1981 (UK) November 1981 (US) | |||
Recorded | 1981 | |||
Studio | Musicland Studios, Munich | |||
Genre | ||||
Length | 3:37 | |||
Label | Jet | |||
Songwriter(s) | Jeff Lynne | |||
Producer(s) | Jeff Lynne | |||
Electric Light Orchestra singles chronology | ||||
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Time track listing | ||||
13 tracks
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Music video | ||||
"Twilight" on YouTube |
"Twilight" is a song written by Jeff Lynne for English rock band Electric Light Orchestra (ELO), originally released on their 1981 album Time. The lyrics tell of a man who falls asleep while in a twilight state, where he imagines everything in his life that is going to happen to him. They contribute to the album's overarching theme of time travel.[1] ELO writer Barry Delve says that "a cacophony of sound effects...transport us chaotically to the year 2095" to start the album and that the song "doesn't stop or pause for at least 2 minutes," making the song "one of the most exciting experiences ELO ever gave you."[2] Delve suggests that the piano break is influenced by Sergei Rachmaninoff.[2] Billboard said that it was "more intricate" than most ELO songs and that "a grand orchestral build coincides with swirling vocal harmonies for great effect."[3] Record World said that it has "roller-coaster surges of angelic voices and awesome strings."[4] Messenger-Press critic Steve Wosahla said that "Twilight" "indicates that ELO may never get away from Jeff Lynne's accessibly spacey pop pizzaz."[5] Cincinnati Post critic Jerry Stein said that it "is a pounding tune but still has that soaring arrangement favored by the Beatles in so many of their uptempo songs.[6]
It was the second single released from the album, peaking at number 30 on the UK Singles Chart and number 38 on the US Billboard Hot 100. Delve explains the single's relatively poor performance despite his thinking that it is "A-grade ELO" saying that "with Time conceived and realized as a running narrative rather than a series of unconnected songs heard in isolation, many of the lyrics are quite esoteric with their talk of such things as time transporters and baffling references to the 1980s as if they were in the distant past which would have made less sense when heard out of context on top-40 radio stations."[2]