Ultra-Romanticism (Portuguese: Ultrarromantismo) was a Portuguese and Brazilian literary movement that took place during the second half of the 19th. Aesthetically similar to (but not exactly the same as) the German- and British-originated Dark Romanticism, it was typified by a tendency to exaggerate the norms and ideals of Romanticism, namely the value of subjectivity, individualism, amorous idealism, nature and the medieval world. The Ultra-Romantics generated literary works of highly contendable quality, some of them being considered as "romance of knife and earthenware bowl", given the succession of bloody crimes that they invariably described, which realists fiercely denounced.
In Portugal, the first Ultra-Romantic piece ever written was the poem O noivado do sepulcro ("The tombstone engagement") by António Augusto Soares de Passos, while in Brazil the first major Ultra-Romantic works were the books Lira dos Vinte Anos (Twenty-year-old Lyre) and Noite na Taverna (A Night at the Tavern) by Álvares de Azevedo.
In Brazil, it is called "the second phase of the Brazilian Romanticism", being preceded by the "Indianism" and succeeded by the "Condorism".