Venus Anadyomene

For other uses, see Anadyomene.
A bronze statue of Venus Anadyomene made in the 1st or 2nd century. Venus is shown wringing out her hair. The statue was discovered in Kortrijk and is now in the collection of the Musée royal de Mariemont.

Venus Anadyomene[1] (Greek: Ἀναδυόμενη, "Venus, Rising from the Sea") is one of the iconic representations of the goddess Venus (Aphrodite), made famous in a much-admired painting by Apelles, now lost, but described in Pliny's Natural History,[2] with the anecdote that the great Apelles employed Campaspe, a mistress of Alexander the Great, for his model. According to Athenaeus,[3] the idea of Aphrodite rising from the sea was inspired by the courtesan Phryne, who, during the time of the festivals of the Eleusinia and Poseidonia, often swam nude in the sea. A scallop shell, often found in Venus Anadyomenes, is a symbol of the female vulva.

The subject never entirely disappeared in Western art, and revived greatly in the Italian Renaissance, with further boosts in the Baroque and Rococo, and in late 19th-century Academic painting. At least one central female nude is practically required in the subject, which has contributed to its popularity.

  1. ^ Ancient Greek: Ἀφροδίτη Ἀναδυομένη; ἀναδυομένη, anadyoménē, meaning "rising up"; Aphrodite Anadyomene is preferred by some writers, for consistency.
  2. ^ Pliny the Elder, Natural History, xxxv.86–87.
  3. ^ Athenaeus. Deipnosophistae, xiii.590F.