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Walter Dorwin Teague | |
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Born | December 18, 1883 |
Died | December 5, 1960 | (aged 76)
Alma mater | Art Students League of New York |
Occupation | Architect |
Spouse(s) | Cecelia Fehon (m. 1908, d. 1937) Ruth Mills |
Children | 3 |
Projects | New York World's Fair Kodak products Steinway piano |
Walter Dorwin Teague (December 18, 1883 – December 5, 1960) was an American industrial designer, architect, illustrator, graphic designer, writer, and entrepreneur. Often referred to as the "Dean of Industrial Design",[1] Teague pioneered in the establishment of industrial design as a profession in the US, along with Norman Bel Geddes, Raymond Loewy, Henry Dreyfuss[2] and Joseph Sinel.[3][4]
Regarded as a classicist and a traditionalist despite a later shift to modern tastes,[5] Teague is recognized as a critical figure in the spread of mid-century modernism in America.[6] He is widely known for his exhibition designs during the 1939-40 New York World's Fair, such as the Ford Building, and his iconic product and package designs, from Eastman Kodak's Bantam Special to the steel-legged Steinway piano.[7]
A self-described late starter whose professional acclaim began as he approached age 50,[8] Teague sought to create heirlooms out of mass-produced manufactured objects, and frequently cited beauty as "visible rightness".[9] In 1926 Teague assembled an industrial design consultancy later known as Teague.[10]
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