Voting period is over. Please don't add any new votes. Voting period ends on 1 Jan 2014 at 03:28:47 (UTC)
Reason
A well-executed drawing illustrating the principle of the Wu experiment in a fashion understandable to laymen. The result of this experiment was one of the most startlingly unexpected in all of physics, proving that the current world would not behave identically with its mirror image (the only difference being that left and right would be reversed). Few experiments in physics have had greater impact.
Comment. The arrowheads at the top and bottom of the Mirror Plane are unnecessary and confusing, IMO. The one at the bottom, in particular, runs contrary to the direction of Electron flow through the solenoid coils. One might easily confuse the direction of this arrow with the text that is written on top of it, you see. I'll edit the image to remove the arrows. I hope this meets with your approval. Regards, nagualdesign (talk) 04:20, 19 December 2013 (UTC)[reply]
Thanks for your edit. Some here may not see the edited version immediately. It takes a while for all of the servers to synchronize, and even explicitly purging the cache doesn't seem to speed up the process. If don't see the arrows, good. If you still see the arrows, it may take a few days for the edited version to appear, and I know of no way to speed up the process except by slightly tweaking (by a pixel) the size of, say, the thumbnail container. I will tweak the thumbnail size both here and in the Wu experiment article, but that won't help the appearance of the image in Commons (where I still see arrows). Stigmatella aurantiaca (talk) 04:48, 19 December 2013 (UTC)[reply]
I really like this diagram, but when I looked at it up close there were a few things that bothered me about the image quality, so I decided to see if I could improve upon it (or at least give it a good spit and polish). Whilst my finished work is based on this image, it's so different that I thought it would be a bit arrogant to upload it over the top of this one, therefore I uploaded a brand new image at File:Wu experiment.jpg. Materially, it's much of a muchness, but it's a little cleaner than the original. Hope you like it as much as I enjoyed making it. Kind regards, nagualdesign (talk) 07:18, 19 December 2013 (UTC) ..PS. Here's the Photoshop file, if anyone's interested.[reply]
Cobalt nuclei should be within the coils. The Alt shows it outside the coils. Rays should also be moved.
Note: Unless the alternate version is actually used in the article it has zero EV. Conversely, if the images are swapped the original will have zero EV. You'll need to decide which one you want to use/promote. nagualdesign (talk) 23:36, 19 December 2013 (UTC)[reply]
Actually, what is customarily done is that if an Alt is chosen for FP, it will be used to replace the original. There is no need to perform any replacement until the voting is over. One is perfectly free to support multiple versions of an image. Stigmatella aurantiaca (talk) 23:54, 19 December 2013 (UTC)[reply]
Oppose for now; the photographer has added "NOTE - This is a temporary picture until I take a better one" to the image page- frankly, if the photographer isn't happy that this is the best that can be produced, I'm happy to wait for a better one to come along! J Milburn (talk) 18:52, 23 November 2013 (UTC)[reply]
Support Stunning. Wish it were larger. The almost off-balance composition works here too. Interesting the fish matches the colors of the split background. – Kerαunoςcopia◁galaxies07:00, 20 December 2013 (UTC)[reply]
Oppose -- in its present form. The colours have been adjusted so that the definition between the colours of the yellow/buff ink and the red/pink ink have almost disappeared, rendering the red/pink orange and brownish buff instead of clear red and pink. A close examination of the shade on the light indicates the extent to which the subtleties of colour separation have been reduced. I want to be able to see red/pink ink, yellow/buff ink and cyan ink. Amandajm (talk) 07:47, 29 December 2013 (UTC)[reply]
I attempted a restoration of this image using the original, without the unusual colour alteration. I'm not sure if it addresses your concerns, I just used my own judgement. I was unsure whether the pinkness of the paper (and scanbed?) should be neutralized to some degree, but global changes left the whole image looking a bit iffy to my eyes. In the end I treated the edging separately, which usually indicates that something is amiss. Let me know what you think. nagualdesign (talk) 03:06, 30 December 2013 (UTC)[reply]
Seems that the original uploader didn't appreciate the edit. I tried uploading a derivative using DFX but it just throws up an error. I'd much rather spend my time doing things that I know how to do than navigating through inumerable obstacles in the upload process and getting nowhere. If anyone wishes to see my edit they can just look in the file history. Feel free to upload it separately if you think it's worth it and can fathom the upload process. Regards, nagualdesign (talk) 20:06, 30 December 2013 (UTC)[reply]
You can upload separately by just linking to the source image. That's what I've been doing. DFX is busted and should be removed from the upload page. — Crisco 1492 (talk) 11:01, 31 December 2013 (UTC)[reply]
The problem is I have no idea how to get through the upload process without having to answer endless questions that I don't really understand. If I were permitted to just upload the image (without all the faffing) I could easily edit the file description page by copy/pasting from the original. nagualdesign (talk) 00:13, 1 January 2014 (UTC)[reply]
LOL - I'm such an idiot! I can't tell you the amount of time I've sat blinking gormlessly at one drop-down box after another, getting frustrated, when I could have just used the basic upload form. Thank you, Chris, and Happy New Year! nagualdesign (talk) 02:34, 1 January 2014 (UTC)[reply]
Support the pinker version. It retains the original colour separations. It is a terrific poster, full of character. And a good sharp reproduction of the image. Amandajm (talk) 05:47, 1 January 2014 (UTC)[reply]
Support edit - Since I wasted so much time due to my own ineptitude I'm willing, on this occasion, to forgo my own rule of voting for my own uploads. It is a terrific poster, and I did very little to it really. nagualdesign (talk) 07:50, 1 January 2014 (UTC)[reply]
Support. I think the pic is full of character. There is definition, even in the bright side of the face. I do not mind the lighting. Amandajm (talk) 07:33, 29 December 2013 (UTC)[reply]
Oppose, much to bright, white background gives considerable glare on the frogs skin making the species look lighter than it most often is in life. A more natural background would be preferable as far as I'm concerned. Plain color backgrounds in my mind if used must have some sort of scale bar for size. The images isn't also that great, is slightly blurry (especially around the toes) and is dull in colour. MatGTAM (talk) 9:30, 21 December 2013 (UTC)
Comment: At the very least, more information is required. Where is this painting housed? How big is it? Where was the digitization from? J Milburn (talk) 12:38, 22 December 2013 (UTC)[reply]
Oppose. Not a "great" painting. Probably an unmistakable likeness. My feeling is that it is too yellow.— Preceding unsigned comment added by Amandajm (talk • contribs) 07:31, 29 December 2013
Voting period is over. Please don't add any new votes. Voting period ends on 3 Jan 2014 at 23:39:46 (UTC)
Reason
It's a quality image and valued image at Commons, so the technical quality is apparently good. The size of 1,825 × 2,855 is well over the minimum. It definitely has a "wow" factor, showing details of the closer arches as well as a comprehensive view of the farther ones, thus demonstrating how the vault is composed as a whole. Licensed as GFDL/CC-by-sa-all. It demonstrates the way in which arches combine to form a vault, with bonus points for demonstrating the vault's curve over the apse. Easily verifiable; it's a simple photo of the interior of a public building. The description is what I've given as "caption" for this nomination, plus geotagging and date; the primary caption is in French, as it's a place in France. I'm unaware of any digital manipulation whatsoever.
Support This is a useful, high-quality image. The caption should include the date, which is known- 1489. Note: I changed the picture caption from "vaults" to "vault". A vaulted ceiling is a "vault" singular, not plural. Amandajm (talk) 07:27, 29 December 2013 (UTC)[reply]
Given that the photograph is an artistic work by a noted photographer, I'm not sure it's a good idea to apply colour adjustments before accepting it as a Featured Picture. The lighting and saturation were selected by the photographer for artistic effect and adjusting them undermines that intention. Of course, it would be the right adjustment to make on many other images, but not when the image itself is intended as (and should be represented as) art rather than simply informative. Regards, The Land (talk) 21:12, 1 January 2014 (UTC)[reply]
Hence why this was uploaded separately. This is only for consideration; whichever version has greatest support is the one which will be promoted (assuming there are at least five supports). I would not dream of overwriting the original with an edit in such a case. — Crisco 1492 (talk) 01:10, 2 January 2014 (UTC)[reply]
Support original. Agree with the others that the photographer made a clear decision to light the photo in this way and we should respect that decision. Also, it's notable not just for the astronaut but as an example of the photographer's work. Ðiliff«»(Talk)19:20, 2 January 2014 (UTC)[reply]
Support I agree with respecting the artists lighting but remember this will have been a medium-format film photo that someone scanned or photographed so might not match the original. See this photo of it in a gallery. It is interesting the white balance appears different in that photo and the colours more saturated -- but it is hard to tell what is right as that photographer/camera may have changed things. Another photo from that set has Collins with her helmet off and two examples here and here look different to this. I prefer a less sickly coloured sky. -- Colin°Talk10:38, 3 January 2014 (UTC)[reply]
The original in that photo seems much more saturated, suggest we try to change it a bit more to that. Something does seem off with the color. CFCF (talk) 16:14, 3 January 2014 (UTC)[reply]
Comment Actually, it looks very likely this picture will be deleted. It appears NASA have miscategorised it when they included it on Flickr Commons. -- Colin°Talk17:58, 3 January 2014 (UTC)[reply]
Voting period is over. Please don't add any new votes. Voting period ends on 4 Jan 2014 at 19:28:39 (UTC)
Reason
Currently we don't seem to have FPs of this type, though there are several such airports in the world. High EV, aircraft in focus, geocoded camera location, and here is the warning sign :)
Oppose Nothing FP about this photo. The EV is a little off for the airport because none of the actual airport is shown. about 10 feet to the right of the edge of the photo is a short cement barrier, a one lane road, then a chain-link fence and then immediately the airport. If the subject is the airport, a shot including the plane dropping above the fence and the beach would be better. -- ТимофейЛееСуда. 21:43, 3 January 2014 (UTC)[reply]
Comment. The cropping at the bottom seems awkward. Obviously this does not detract from the depiction of the main subject, but if the original extends further then I think it might be worthwhile to look again at that crop line. 86.171.174.136 (talk) 02:47, 24 December 2013 (UTC)[reply]
Oppose — One would have to be an engineer or aircraft mechanic to see details of interest in this image, which to mere mortals just looks like a metal tube with stuff attached. Sca (talk) 15:27, 31 December 2013 (UTC)[reply]
Oppose: Harsh flash, not a flattering or engaging portrait, awkward crop and background. Also looks like this has been excessively denoised. Julia\talk18:00, 28 December 2013 (UTC)[reply]
Support - At thumb size this may not be that interesting, but... 7,500 × 5,632 pixels? Hot d*mn. Love how you get so many pictures from the air. — Crisco 1492 (talk) 05:13, 31 December 2013 (UTC)[reply]
Support Tail is a little blurry and feet are obscured, but I can forgive due to high resolution and good composition. Nice encyclopaedic picture. Mattximus (talk) 03:15, 24 December 2013 (UTC)[reply]
Comment. Although I am using a reasonably high-spec PC, the full-size version of this will not display for me. I presume it is because it is too big. The next available size is only 1,280 × 328 pixels. I don't actually know how the size selection on the image pages works, but it would be nice to have something between the two, i.e. of manageable size to display but more detail than than the 1,280 × 328. 86.171.174.136 (talk) 02:05, 24 December 2013 (UTC)[reply]
It's likely not the PC you're using that is stopping you from viewing it, it's the browser you're using. Some are better than others in dealing with high res images. Also, aren't you going to comment on how this image has no place on Wikipedia and should be deleted because the building appears curved? Ðiliff«»(Talk)09:43, 25 December 2013 (UTC)[reply]
Although the perspective is slightly faulty (modern technology just cannot seem to get it exactly right), this one is fairly tolerable because it does not mislead the viewer into thinking the building is a completely different shape to what it actually is in real life. Compare it to this one, which does. Can't you see the difference? For someone so ready to scoff, you seem to have a very limited understanding of this issue. 86.128.4.88 (talk) 13:33, 25 December 2013 (UTC)[reply]
Actually, I think I have a pretty good understanding of it, as panoramic photography is kind of my thing. While I can see the difference between this image and the image you referred to, both have curvature of what should be straight lines as they were stitched (I believe) with the same panoramic projection: cylindrical. The only reason this image is 'less curved' is because the angle of view is narrower. The angle of view is narrower because the photographer was able to get further back from the subject which minimises this distortion. But getting further back isn't always possible due to geographic constraints. I accept that some panoramas do have extreme curvature which distorts the subject to the point where it is difficult to determine the true shape of the subject, but the same is true of 'normal' rectilinear photographs also. It's just that we've become accustomed to the kind of distortion that rectilinear projection creates, so we don't tend to notice it is there. Put simply, there is no way to project a three dimensional view onto a two dimensional surface (a print, a computer screen etc) without introducing distortion of some kind. I scoff because your comments rile me up with your annoying combination of a sense of righteousness and an over-sensitivity to any kind of distortion that isn't of the common rectilinear photographic paradigm. Ðiliff«»(Talk)09:30, 26 December 2013 (UTC)[reply]
You are right Diliff, between the two evils I decided for the slight curved lines of the equirectangular projection (which is very close to the cylindrical). The distortion would be minimized if the camera were centered with the building but then the angle would be less interesting. -- Alvesgaspar (talk) 09:46, 26 December 2013 (UTC)[reply]
Thanks Alves, I have no problem with the curvature and I think you probably made the right decision, although I would have thought that rectilinear projection wouldn't show too much distortion at the edges either. My comments above were more directed at the IP's previous opinions in other nominations on panoramic distortion and curvature of cylindrical projection. ;-) Ðiliff«»(Talk)14:20, 28 December 2013 (UTC)[reply]
Over-sensitivity? Sense of righteousness? What total rubbish you talk. I have pointed out maybe two or three gross distortions that badly misled the viewer as to the shape of the thing depicted. If that riles you on a page inviting comments about photographs then I suggest you go somewhere else. 86.160.222.169 (talk) 00:15, 5 January 2014 (UTC)[reply]
Support WOAH resolution! The picture itself is fairly plain, as is the building, but the resolution is high that you can actually see the detail work in the building. There are little sculpted faces hidden throughout the architecture. -- ТимофейЛееСуда. 14:09, 26 December 2013 (UTC)[reply]
Comment: The architect was Nicolau de Frias. He should be mentioned in the caption. The date of construction is 16th century. The facade is panelled (or veneered, if you prefer) with grey and pink marble. The word "profile" is repeatedly used wrongly in the text of the article and would be best avoided. Amandajm (talk) 07:00, 29 December 2013 (UTC)[reply]
Support Excellent EV in the RPG-7 article and very high quality. However, given how highly staged the photo appears to be I don't think that it should be widely used: it's an excellent illustration of a launch of this weapon, but anyone who tried to fire it like that during an actual battle would be dead before they could pull the trigger. Nick-D (talk) 22:18, 29 December 2013 (UTC)[reply]
Note that this is a second nomination of this image. When nominated previously, another editor expressed concerns about the image's structure, coloring, etc. I have since addressed those concerns and have discussed the revisions with that editor who now has indicated that the image would now receive that editor's support. Also: we have both attempted to contact the original author of the journal article in which this animal's anatomy is originally presented in an attempt to have him vet the image— several months later, neither of us has yet received any response and there seems no point in waiting any further at the moment. KDS4444Talk22:04, 24 December 2013 (UTC)[reply]
Question: Is there a reason why some labels/lines are different sizes/colors/formats? Unless there's a consistent pattern that's grouping sets of anatomical features, there's not a lot of consistency. Also, some labels (e.g. "(pericardial nerve)") are in parentheses: is there a reason for that? Also there doesn't need to be a space between the dash and "head" in the "Snout/ head" label. SpencerT♦C06:43, 27 December 2013 (UTC)[reply]
Also is it possible to make the mouth look like it connects to the underside of the organism? (like moreso in the earlier version - [1]). It looks like a suspended uvula-like protrusion in this version. SpencerT♦C06:48, 27 December 2013 (UTC)[reply]
Yes, and yes. I used fonts of different sizes (2 different sizes) to signify the difference between broad/ large/ simple organs ("Mouth", "Mantle", "Intestine") and their more specific/ smaller/ more complex components ("Salivary glands", "Pallial margin papillae", "Stomach") but I admit that these distinctions are not well founded in biology and I would be glad to erase them. The items in parentheses are shown that way to indicate that they are "beneath" another organ/ part (i.e., that the end of a corresponding line is indicating the thing underneath that on which it actually appears to terminate). I am open to suggestions on how else to indicate this if it is felt that parentheses are more confusing than helpful. The lines shift color and brightness as needed for contrast, with an attempt to stay towards the blue end of the spectrum on all of them— if I did not provide enough contrast, the lines would get lost. Would you prefer them to be all in black-and-white instead? Lastly, I can edit the spacing on "Snout/head" and can adjust the mouth downward easily enough, will repost as soon as done with those. KDS4444Talk08:01, 3 January 2014 (UTC)[reply]
Looks good, Support. If anything I'd recommend putting those comments about the differences in style you mentioned above (e.g. discussing the parentheses) in the image description page. Best, SpencerT♦C08:18, 4 January 2014 (UTC)[reply]
Voting period is over. Please don't add any new votes. Voting period ends on 18 Jan 2014 at 12:20:30 (UTC)
Reason
Historically important showing the complex dynamics of Philippines-United States foreign relations with a state visit by Ferdinand Marcos to Ronald Reagan. Request for the People Power anniversary on February 25.
Support -- King John was an interesting character who people love to hate. He warrants inclusion in the caption, as the king who was forced to set his seal on the Magna Carta. Don't forget to include the date. Amandajm (talk) 05:49, 29 December 2013 (UTC)[reply]
Oppose This photo has a pretty poor composition. The main feature is the rack of shoes on the left of the image, and the shoemaker is in the background. Nick-D (talk) 22:24, 28 December 2013 (UTC)[reply]
Support-- It is an excellent composition. The rack of shoes on the left are not the "main feature". They are a pertinent frame to the left side of the image. The main subject, the cordwainer himself, is set clearly against the background of his trade, compositionally distinguished by his blue shirt and grey hair. His angled elbows form and round head are a compositional contrast to the general clutter. This is a "painterly" composition of a person in his environment, not simply close-up image of a single person in which his tools of trade are merely a background. Moreover, everything in the picture takes your eyes to his busy hands. Amandajm (talk) 05:43, 29 December 2013 (UTC)[reply]
Support more or less per Amanda. Focus is more on the cordwainer than the rack of shoes, and this composition presents more than just the individual (who, as an individual, is not notable in the Wikipedia sense) but an occupation. — Crisco 1492 (talk) 17:12, 29 December 2013 (UTC)[reply]
I'm not a newbie here; know the differences very well. :) (Check the file history of the image and both articles. No offence, indeed. I'm too lazy to type more.) Jee04:11, 4 January 2014 (UTC)[reply]
Voting period is over. Please don't add any new votes. Voting period ends on 9 Jan 2014 at 23:43:05 (UTC)
Reason
Since the last FAC, I've restitched the image to keep the building straight. Distortion has been fairly minimal, I think, so the main issue with the last nomination was taken care of. I couldn't go any further back to get everything in one frame, as I had my back against this thing. The building is on a corner, so the kerb is curved a bit in real life.
Comment. You've kept the horizontal lines straight, but the vertical lines are leaning inwards, as the edit (partially) corrects. It would be better to do this from the original files rather than as an edit of your image though. Do you know how to correct this? Ðiliff«»(Talk)17:18, 29 December 2013 (UTC)[reply]
I edited to try and fix that, but I am not sure how to fix the lampposts/other curved structures. I'll give it another shot, but if you (or anyone interested) could do it, that would be much appreciated. Raw files are here 1, 2, 3. — Crisco 1492 (talk) 23:49, 29 December 2013 (UTC)[reply]
I've uploaded a new panorama using the RAW files you provided. I think it's an improvement in all areas. As I had to work from scratch and needed to re-process your RAW files using Lightroom, I took a few liberties... Hope you don't mind. The one potentially controversial change is a slightly more contrasty/darkened sky. I reduced the brightness of the blues in the sky and reduced the brightness of highlights which has the effect of making the sky more contrasty. If you don't like the change, I can reprocess easily enough and upload over the tope of the file without this change. All other changes I made are fairly straight-forward improvements like removing some chromatic aberrations on the edges of the frame (notably on the pole on the far right side of the frame). Finally, the obvious point of the edit was to correct the vertical lines. It was slightly tricky because I don't think the building is perfectly straight, nor are the poles, so this was a best-guess as long, straight, known vertical lines were hard to come by. As for how it was done, I can explain in more detail if you need. Long story short, I shifted the centre point downwards which has the effect of 'splaying' the top of the frame. This makes everything 'tilt' outwards and lines that previously tilted inwards (eg the poles and vertical walls) begin to stand straighter. Try it yourself and see the effect it has. That's what you need to do to correct the vertical lines. To get it precise takes some patience though, and you can't always see if everything is straight in the 'preview window' so you need to stitch and modify numerous times before you get it exactly right. Anyway, let me know what you think. Ðiliff«»(Talk)12:40, 30 December 2013 (UTC)[reply]
Question though: is there a way to rotate an image in PTGui without changing the axis or anything? (i.e. get a horizontal line first, then play with the 'tilt')? — Crisco 1492 (talk) 12:49, 30 December 2013 (UTC)[reply]
Well, any change you make to the projection/rotation occurs 'around the centre point' which I was talking about earlier - it's the fundamental starting point for the panorama, so it's best to set that first before making any other changes such as rotation. You can still of course change the centre point later if you find that it's not correct (sometimes you only notice after you make other changes and realise that things are not lining up precisely), but then other adjustments might have to be made again to fine tune it for that centre point. The centre point should usually stay in the same place no matter what projection you choose to use though because as I said, that point is fundamental to telling PTGui where the horizon is so it knows how to stretch the image to correct distortions that you created when you tilted the camera upwards or downwards while taking the photos. An interesting thing to note is that if you did manage to take the photos with the centre of the frame exactly on the horizon (it's not needed for a successful panorama however), PTGui would need no additional changes to the centre point - at least, not on the vertical axis - because it would already be set correctly by default. So really what you're doing is telling PTGui how much of an offset is required to correct for distortion on the horizontal and vertical axes introduced when you tilted the camera away from the horizontal axis. I'm not sure if I'm making any sense or just confusing you further. Really, the best way to understand is to experiment by setting the centre point at different positions and seeing how it affects the projection. It will start to make more sense once you've played around. Ðiliff«»(Talk)13:26, 30 December 2013 (UTC)[reply]
Support Edit 2. Slightly messy composition but couldn't be helped. We need more of this kind of high quality imagery from this part of the world. Ðiliff«»(Talk)16:59, 30 December 2013 (UTC)[reply]
Support Edit 2. The left hand side of my edit is stretched (see the bicycle wheels). You did a decent job with a difficult subject there, Ðiliff. Maybe if you paste the original lamp post top over the current distorted one it would look better though. Regards, nagualdesign (talk) 20:54, 30 December 2013 (UTC)[reply]
Thanks. Actually, the lamp post was already 'distorted' like that in Crisco's original RAW files. It has been slightly exaggerated by correcting the perspective, but it was never 'straight' as your edit shows it. Ðiliff«»(Talk)12:40, 31 December 2013 (UTC)[reply]
Yes, I realize that the lamp post looks distorted in the raw files, but isn't the idea here to reduce distortion, rather than adding to it? Unless you believe (or wish readers to believe) that the real lamp post is skewed like that, of course. Happy New Year!nagualdesign (talk) 23:58, 31 December 2013 (UTC)[reply]
From the position in which the picture was taken, reducing the distortion on the lamppost would (as far as I understand the process) mean distorting the actual monument. This and this, for instance, show (to me) how the lamppost juts out quite a bit in an upside-down L shape (on a side note: our photograph appears to be better than anything the museum itself has on its website). — Crisco 1492 (talk) 00:23, 1 January 2014 (UTC)[reply]
Perhaps you misunderstood what I was suggesting. There's no need to affect the whole image just to fix one little bit. And I realize what shape the post is, I just don't believe that one of the bulb housings should appear vastly higher than the other, or be smeared out like that. It's a very noticeable flaw in an otherwise solid image, which can be fixed. nagualdesign (talk) 02:26, 1 January 2014 (UTC)[reply]
But if the lamp post looks like that in the original RAW files then it hasn't been introduced by panoramic projection - that's how it looks from the POV of the observer. It isn't distorted in any geometric sense, it's just how it is. To 'correct' it means distorting reality in order to make it appear more normal. It might be aesthetically off-putting, but reality often is. Ðiliff«»(Talk)15:38, 1 January 2014 (UTC)[reply]
No, it's distorted because it was shot using the extreme wide angle (18mm) end of a (kit?) lens and, as you said yourself, it's been slightly exaggerated by correcting the perspective of the rest of the photo. Take a close look at the other images Chris linked to (this and this). It's fair to say that one bulb housing might be slightly higher than the other. Now take a close look at your own edit. Do you honestly believe that the real bulb housings are parallelogrammed (if that's a word) like that? Or that one is bigger than the other, even though they were likely manufactured in the exact same process? And since when did aesthetic considerations count for naught around here?! It looks silly, and that's a fact. Look closer and you can see it is silly. Should it be silly? Hell no! So pretty please, with sugar on top, edit the f***ing photo. ..By the way, I didn't distort the lamppost in my edit to get it level. I just cut it out of the original image and rotated it until the main post was vertical, and hey presto! the tops were level. nagualdesign (talk) 18:44, 1 January 2014 (UTC)[reply]
It has nothing to do with the focal length of the lens or any camera-induced distortion - it has everything to do with the point of view of the observer and the consequences of rectilinear perspective. Let me explain why: the reason why it looks balanced in the photos you and Chris linked to is because you're looking at it from much further away. You can see clearly in those images that the two lamps are not facing parallel with the facade of the building, they are rotated inwards slightly, roughly facing the monument across the street from the building. As Chris was quite close to the building, this rotation meant that the difference in distance to each lamp was larger - in other words, the closer you get to the lamp, the greater the apparent disparity. The left one was closer than the right one. As they were of equal height, this has the effect of making the left lamp appear higher. The closer they are to the camera, the more objects above or below the camera's horizontal plane diverge from the plane. That's Perspective 101. I know it looks slightly silly, but what you're requesting is for us to selectively turn a blind eye to perspective in order to make something look more aesthetic and I disagree with doing so. I know the lamp post is largely irrelevant to the subject, but I don't see the problem with leaving it like that, as it's the true representation of the lamp posts in rectilinear perspective, the same perspective that preserves straight lines in the building. Anyway, I've said enough. If you want to edit it, you're welcome to. I suggest you upload it as a derivative over the top of your previous edit rather than mine however. Ðiliff«»(Talk)19:26, 1 January 2014 (UTC)[reply]
You're teaching your grandmother to suck eggs, frankly. Since nobody else appears to be irked by this I'll just agree to disagree (well, apart from us agreeing that it does look silly) and leave it at that. You can lead a horse to water... All the best, nagualdesign (talk) 20:27, 1 January 2014 (UTC)[reply]
Support Edit 2 nice composition of a typical street scene with the motorcyclists reading the news, well capturing the whole facade and illustrating the building's function in the same time. --ELEKHHT07:40, 1 January 2014 (UTC)[reply]
Support Edit 2 I oppose cutting bits of an image up and rotating them so they "look right". There may well be some uncomfortable angles from a combination of viewpoint, wide-angle-lens and perspective, but these are consequences of trying to place a very wide-angle shot in a 2D picture. I would be unhappy if the these distortions misled the viewer about the subject, but I'm not that fussed about a lamp post. -- Colin°Talk11:39, 3 January 2014 (UTC)[reply]
Comment - The colour looks a bit wacky IMO, although the file description says it's "a faithful photographic reproduction". Has anyone seen the original? nagualdesign (talk) 04:40, 28 December 2013 (UTC)[reply]
I'd already looked there to see if it was a scan or a photo, but found nothing definitive. The small specular reflections around the centre of the image (his collar) and nowhere else might suggest that it was a flash photograph. Also, Google 'scan' books by carefully photographing them. It's a good image (ie, dataset), but I don't have much faith in the saturation level or white balance, personally. Just a hunch. nagualdesign (talk) 05:41, 28 December 2013 (UTC)[reply]
I've come across two different scans of the same painting that look nothing alike. For instance, the Google scan of The Ninth Wave that was promoted a few weeks ago looks very different from all the versions on the internet. This version, which is an FP in Russian Wiki, look highly saturated to me, but it seems to be the most common version of the painting on the internet. [2] But since the internet is not something to rely on, I tend to believe that the Google version is closer to the actual painting. For comparison, RIA Novosti (Russia's state news agency) has this painting on their website [3]. --Երևանցիtalk08:47, 28 December 2013 (UTC)[reply]
Comment One of the most interesting facts about this portrait is that the artist George Dawe painted more than 300 portraits of Russian military men.
As usual, if you are intending to use an artwork on the front page, then I urge you to include the relevant encyclopedic information about the artist, as well as the subject.
Unless the painting is itself notable, this is more interesting, for our purposes, as an image of the subject rather than as a piece of work in its own right. Similarly, we don't generally list lots of details about a photographic portrait unless the photograph or photographer is notable. J Milburn (talk) 22:43, 29 December 2013 (UTC)[reply]
This guy was (and still is) quite famous in Russia and Georgia and is the man responsible for stopping Napoleon's advance into Russia in a famous battle at the outskirts of Moscow. According to his article, Napoleon said that "Russia has no good generals. The only exception is Bagration". So he was a major figure. The painter seems to be an average 19th century English painter. At least, he has an article. --Երևանցիtalk00:39, 30 December 2013 (UTC)[reply]
Response to J Milburn. If the painting was a little newer, it would be in copyright, and subject to the artist's permission. Copyrights protect artists, whether they are considered great or not. Vincent van Gogh never sold a painting, and therefore was not considered at all significant. Caravaggio was unknown until the present century. It is not for the assessors of Featured Picture candidates to judge the relative importance of the artist. The artist's ownership of the creativity needs acknowledgement. In this case, the artist is of interest in himself, whether his work is great or not. The only artists who do not require a sentence in the caption are those who are so great that their names are household words. You don't need to tell your reader who Leonardo da Vinci was.
The point that I am making here is that Front Page assessors need to improve the manner in which artists are dealt with, in general. That may mean a better acknowledgement of photographers and printers as well. Amandajm (talk) 05:39, 1 January 2014 (UTC)[reply]
Precisely. Discussions related to the main page are not supposed to be at individual candidacies. If you feel that the current crediting format is inadequate, open a discussion at WT:POTD. I believe I've pointed this out before. — Crisco 1492 (talk) 06:00, 1 January 2014 (UTC)[reply]
And no, captions used here are not used on the main page (usually, unless it's a very technical topic that I have trouble describing in my own words). The captions here are for reviewers of the image and thus just have to provide adequate context for understanding the image. Captions on the main page are for general readers and should thus convey the essence of the topic shown by the featured image (and maybe a bit about the image itself). — Crisco 1492 (talk) 06:02, 1 January 2014 (UTC)[reply]
Amandajm, no one is saying we should hide who created the painting, it's just that you seem to want the TFP blurb to be about the painting, rather than the subject. You say that it "is not for the assessors of Featured Picture candidates to judge the relative importance of the artist", but it certainly is the job of assessors here to judge the relative value of the painting for our purposes; judging, for instance, whether this painting is valuable to illustrate a particular painting (it isn't, as we have no article on the painting), the style of an artist or school (it could be, but isn't, as it isn't used in any articles like that) or the subject of the painting. Again, if TFP is a photo of a bird, we make the blurb about the bird, not about the photo. So it will sometimes be with paintings. J Milburn (talk) 12:31, 1 January 2014 (UTC)[reply]
And the fact that this image is one of a commissioned series of 300 by the same artist would not be interesting to the general public? Amandajm (talk) 14:26, 1 January 2014 (UTC)[reply]
I didn't say anything about what will be interesting to the general public. We're not here to write a general interest magazine. We've got to ask how and to what extent this image contributes to the encyclopedia- that's the primary criterion for becoming a FP. Is it more valuable as a representative of a set of 300 paintings? Or is it more valuable as the sole image we use of a famous general? I think the latter. As far as I can tell, you don't recognise this as a painting of someone, and only as a painting. J Milburn (talk) 16:11, 1 January 2014 (UTC)[reply]
I think she's addressing me. Note that I said "topic shown by the featured image", or (in other words) "subject of the featured image". Not the image itself, except where it is notable on its own. — Crisco 1492 (talk) 09:57, 2 January 2014 (UTC)[reply]
Comment: I agree about the tilt correction; I'd also like to see the image page cleaned up a little. Spammy links in the description, and it's unclear when this photo was taken. The photo definitely has potential, though. J Milburn (talk) 17:27, 28 December 2013 (UTC)[reply]
Support Though what is tilted? The bookcase is clearly not perpendicular to the camera but nothing can be done about that now. -- Colin°Talk11:22, 3 January 2014 (UTC)[reply]
Oppose, but I may be missing something here. For such a massive thing (two a bit continents...) the resolution's actually pretty low. The colours also seem unrealistic; Siberian tundra isn't well known for being green, and there are urban areas that would be big enough to show up as a different colour, rather than the flat green we see here. The image page lacks sufficient sourcing information, and the EV in NASA doesn't seem enormous. J Milburn (talk) 12:03, 28 December 2013 (UTC)[reply]
Support It is a "jungle light". seriously if I were to do it again, I use my flash. But that day I wanted to do with natural light, and it is not well distributed.(Merci à ELEKHHT pour cette nomination) --Archaeodontosaurus (talk) 18:27, 31 December 2013 (UTC)[reply]
I actually think the lighting is quite good, the warm light perhaps even making the image more attractive than flat uniform light. --ELEKHHT07:00, 1 January 2014 (UTC)[reply]
Support I agree with Elekh that the lighting is not so poorly distributed that it detracts from the quality of the photograph, and in fact increases the attractiveness. Tastefully done. Jujutacular (talk) 05:58, 7 January 2014 (UTC)[reply]
Voting period is over. Please don't add any new votes. Voting period ends on 11 Jan 2014 at 08:51:04 (UTC)
Reason
It's of enough technical and artistic value (3rd prize at Wiki Loves Monuments UK 2013, 17th place at international Wiki Loves Monuments 2013). Illustrates the geometry of its subject better than existing images (good EV).
Comment - I lightened this image quite a bit as, IMHO, it was very dark (though perfectly exposed). I'm used to just uploading 'over the top' of WP images with an edit. I realize that up there ^^ somewhere it says this isn't good practice. Feel free to bend my ear/revert my edits/discuss. Regards, nagualdesign (talk) 03:25, 30 December 2013 (UTC)[reply]
Comment - In truth, I think I prefer the original version (totally untouched and straight out of camera, not that I'm againgst editing...). Maybe it's because that's how I remember the place, or maybe it's because I'm more used to that version. Also, I think the lightened version it's losing detail in some of the upper stairs. Anyway, I really appreciate your input: thank you. Rafesmar (talk) 15:26, 30 December 2013 (UTC)[reply]
Comment- As an artistic photograph to be viewed at large size, it is lovely. As an encyclopedic photograph, it's uses are limited. It has indeed been included in a number of articles (Queen's House, Greenwich), where it looks bad at thumbnail size. The caption has a full description of the way in which the stair treads support each other, but the treads themselves cannot be seen in the darkness, even though they are majorly present in the image. Amandajm (talk) 05:23, 1 January 2014 (UTC)[reply]
In response to yours and Rafesmar's comments I've edited my version to increase local contrast, in order to make the treads stand out better. This is a less-than-subtle edit, as it's intended to improve the image at thumbnail size. Viewed full screen it's still good (I hope), but directly comparing it to my previous version may cause mild alarm. nagualdesign (talk) 06:41, 1 January 2014 (UTC)[reply]
Oppose I've removed it from two articles which already had a photo of the stairs. Although this photo is technically better than the other existing one, it looks less good in thumbnail as it is so dark and has more stairs. If one insists on restoring it then please replace the existing one. But the Stairs article could be illustrated with hundreds of possible spiral stairs. Yes, there is a Commons guideline against uploading over the other images in many circumstances -- especially for prize-winning photos and non-trivial edits. First attempt should always be to ask the creator if they can make changes, which are nearly always superior to fiddling with the JPG. I think the edited version gives a false impression of what the stairs look like -- as they will be naturally dark from below and when looking up at the roof light. Therefore I do not support its use in the article even if it does bring out extra detail. I suggest Rafesmar tries Commons FP where the in-article usage is not important and the artistic qualities are more relevant. -- Colin°Talk11:13, 3 January 2014 (UTC)[reply]
Voting period is over. Please don't add any new votes. Voting period ends on 11 Jan 2014 at 11:01:42 (UTC)
Reason
High EV, because some of early Unix and BSD developers can be seen in the photo, including Dennis Ritchie, Mike Karels, Sam Leffler, Eric Allman, please click on the photo to see a full list. The image has some minor problems but please note that this is a historical image.
Oppose -Those aren't "minor" problems. The image as a whole is snapshotty, a lot of people have been cropped out, blur is quite bad, and there are... streaks or damage or whatever... over most of the edges. Motion blur from the suds is also an issue. — Crisco 1492 (talk) 14:20, 1 January 2014 (UTC)[reply]
Voting period is over. Please don't add any new votes. Voting period ends on 11 Jan 2014 at 16:03:44 (UTC)
Reason
Well, here we go again. I think we're there now, though. This is ridiculously high resolution, well lit, and nice and sharp. It shows the whole complex, as the previous nom, but the sky is a bit clearer. Now no shadows from the bushes too. Big thanks to Diliff for giving me suggestions on photographing and stitching.
Oppose ... because one can't see much detail in this shot. But since the original file is huge, it might be possible to crop in tightly to the inner structures — which in this view are just dark piles. (Who needs all that grass?)
As Nick indicates below, my main goal here was to photograph the whole site (i.e. the walls which have been fully uncovered as well) and not just the three temples. By necessity this means the individual temples don't have very much detail, as they are seen from so far off. I have fixed the typo. — Crisco 1492 (talk) 23:44, 29 December 2013 (UTC)[reply]
Support I agree that this image doesn't have "wow factor", but it appears to be as good an image of this site as would be possible to take from ground level, and clearly illustrates its layout and features. Nick-D (talk) 22:23, 29 December 2013 (UTC)[reply]
Support per Nick, this is good illustration of the overall site. Still scope to increase the wow factor next time the Merapi erupts :) Happy New Year! --ELEKHHT07:10, 1 January 2014 (UTC)[reply]
Oppose, The gravel is in sharper definition than the butterfly. The butterfly itself is damaged. For an artistic shot, this may not matter, but for a very straight image with emphasis on subject matter rather than artistry, the butterfly needs to be intact. Amandajm (talk) 05:12, 1 January 2014 (UTC)[reply]
But it is a good example for explaining how the fancy tails, antenna like growths and "false eyes" help to confuse the predators and save their lives. They also adapt a behavior to enhance these features. Jee04:04, 4 January 2014 (UTC)[reply]
Voting period is over. Please don't add any new votes. Voting period ends on 12 Jan 2014 at 21:39:39 (UTC)
Reason
Most likely one of the best free Concorde photos before its retirement in 2003 (and made just six months before the retirement). Lowered nose, entire undercarriage and both engines are all there.
Voting period is over. Please don't add any new votes. Voting period ends on 23 Jan 2014 at 10:48:21 (UTC)
Reason
It is one of the rarest bird in India, and getting a photo of this bird is a tough job. the species falcon is under threat in India. In UttarPradesh, India it is totally extincted. So featuring this photo will let people know about a bird which is under threat.
I've tagged it as likely copyvio source http://encyclopedia2.thefreedictionary.com/peregrine and not "...(My own Work)This photo was taken in the Kalahari Desert, Africa. When I was taking Wild life photo's I found this Bird and I taken the picture by my camera..."[4]— Preceding unsigned comment added by Anna Frodesiak (talk • contribs) 13:18, 13 January 2014
Voting period is over. Please don't add any new votes. Voting period ends on 13 Jan 2014 at 14:38:41 (UTC)
Reason
Technically high-quality panorama of the abbey and adjacent historical buildings in their grounds. Very high resolution with great detail of the building.
The crop is as-intended, which shows the grounds and the path/road surrounding. The environment in which historical buildings lie is important. -- Colin°Talk23:30, 4 January 2014 (UTC)[reply]
Voting period is over. Please don't add any new votes. Voting period ends on 13 Jan 2014 at 14:48:51 (UTC)
Reason
High quality picture taken in challenging lighting (exposure blend ofHDR from several images used to capture dynamic range). Interior shows building architecture and furnishings in the Art Nouveau style along with the stained glass window.
I misremembered. This one wasn't an exposure blend but simply created a 32-bit tiff in Photoshop and imported that to Lightroom. -- Colin°Talk15:58, 5 January 2014 (UTC)[reply]
Support Very nice, I particularly like the angle. Most pictures inside churches I've seen on Wikipedia are from ground level and I like that this is a bit different. Nev1 (talk) 20:57, 9 January 2014 (UTC)[reply]
Voting period is over. Please don't add any new votes. Voting period ends on 13 Jan 2014 at 18:48:02 (UTC)
Reason
Rare image, very valuable historical value, relatively good technical value, and the minor faults are forgiveable to my taste against the high EV. Also Commons FP.
Comment: Image is simply too dark for me. I think it could use some adjustment on the brightness and contrast (just a bit, not much, and not to lose any EV). Great historical value. I would lean to a weak support right now, but full support on an adjusted image. -- ТимофейЛееСуда. 23:03, 5 January 2014 (UTC)[reply]
Ehhhhhh. No one at the Commons FP discussion discussed the contrast/brightness, but when I pulled it into photoshop and brightened it a little it looks significantly better. If no one else has issues at the time of closure, the closing editor can consider my vote a fullsupport. -- ТимофейЛееСуда. 23:06, 5 January 2014 (UTC)[reply]
Support as uploader and Commons FP nominator. I was going to nominate it here after waiting 7 days after adding it to many articles but I forgot. This is also Picture of the Day on the French, Korean, Russian, and Vietnamese Wikipedias, as well as Commons. As for the brightness, on historical images, I take a general stance that they should be left alone for the most part, other than removing noise like scratches and folds that aren't part of the actual image. For example, I wouldn't increase the brightness on the Mona Lisa if it looked better that way, you shouldn't change history. Also, it would be changing it for many different projects that didn't have an issue with it. Ramaksoud2000(Talk to me)04:25, 7 January 2014 (UTC)[reply]
Weak oppose I considered this for nomination, but it's overwhelmingly blurry at full size, even when compared to some other WWII photos (or just to the 1940s photos in general). Happy New Year anyway:) Brandmeistertalk23:43, 31 December 2013 (UTC)[reply]
Weak Support. It's an extremely high res scan, that's why it's so blurry at full size. Resized to something reasonable, such as the minimum resolution requirements which equates in this case to 1910x1500px, it looks reasonably sharp for an historic photo. It's clearly not on a par with our best photos of this era, but those photos were very much staged, whereas this one clearly isn't. Ðiliff«»(Talk)18:53, 2 January 2014 (UTC)[reply]
Support as per nom. Don't see the need to resize. As stated above the scan is very high resolution, which doesn't retract in any way. Wikipedia can do the resizing, and noone is going to look at in in full resolution anyway. The photo itself is high enough resolution. CFCF (talk) 20:18, 2 January 2014 (UTC)[reply]
Support I think Diliff was suggesting we resize it for the purpose of judging. Taking it down to 50% it is still 10MP and lovely and sharp. I do wish the Wiki software had better support for viewing images at something between thumb, preview and full size (e.g. view at 50%, or view at 5MP, 10MP, 20MP). -- Colin°Talk14:14, 3 January 2014 (UTC)[reply]
Already tried that. It's getting annoying actually so may turn if off. And "fullscreen" might not be that large on some computers. -- Colin°Talk16:15, 3 January 2014 (UTC)[reply]
Agreed, I enabled it a while ago and quickly disabled it again. To be truly useful, it would need to be a more full featured viewer, with perhaps a Javascript slider-based resizer, with 'fit height', 'fit width' and a few presets. Whether that's realistic to be coded, I'm not sure. Ðiliff«»(Talk)16:27, 4 January 2014 (UTC)[reply]
Voting period is over. Please don't add any new votes. Voting period ends on 14 Jan 2014 at 02:59:04 (UTC)
Reason
High resolution, public domain image with a very striking scene: it shows Six Flags New Orleans flooded two weeks after Hurricane Katrina. A little bit blurry, but considering the age, resolution, and uniqueness of this photograph I don't think that should be an issue.
Voting period is over. Please don't add any new votes. Voting period ends on 14 Jan 2014 at 23:05:39 (UTC)
Reason
A technically high quality image of the church. A slightly unconventional angle for a church interior but I think it was necessary in this case - the chandelier lighting is very low and centred such that they obscure the stained glass. I think the angle works though. The perspective is corrected so that the pews are horizontal which is more aesthetically pleasing IMO.
Support The church is quite lovely. It took me a few times to come back to the image for the unconventional angle to grow on me. I now quite like it, especially within the context of the article. Jujutacular (talk) 05:52, 7 January 2014 (UTC)[reply]
Thanks. Judging from the lack of responses to this one compared to my other image above, it seems that others find it difficult to appreciate also. I think part of the problem is that it doesn't leap out at you in the thumbnail. I do think it's an image that impresses more in the detail than in the superficial view. Ðiliff«»(Talk)13:40, 7 January 2014 (UTC)[reply]
'Comments The comments that I made above on the Guildhall image apply even more to this image. The left hand side has had the perspective too severely compensated, which means, in effect, that to achieve that appearance, the wall would need to be leaning outwards about as radically as the famous Tower of Pizza. Amandajm (talk) 05:58, 9 January 2014 (UTC)[reply]
Voting period is over. Please don't add any new votes. Voting period ends on 14 Jan 2014 at 23:33:26 (UTC)
Reason
Guildhall is an interesting and historic building in Central London. It acts as a town hall for the City of London. This image is a highly detailed, perspective corrected view of the interior of the medieval Great Hall.
Support Exquisitely detailed resolution, very nice dynamic range achieved with the tone-mapping. I couldn't help but notice that the aspect ratio is just barely not-square. Any thoughts on cropping a few pixels of carpet off the bottom? I can support either way. Jujutacular (talk) 01:21, 5 January 2014 (UTC)[reply]
Comment- I find everything about this image stunning except for one thing: The verticals in the image have apparently been digitally "straightened" so that they are parallel. This is done, of course, to "correct" the distortion of perspective cause by the lens, and a single, viewpoint. The problem with this is that the human eye expects to see vertical perspective as well as horizontal perspective. In other words, the scale-reduction that you see when you look towards the end of the hall, also happens when you look upwards.
Because the perspective gets distorted by the height, it is appropriate to apply some correction. However, if you make your outermost verticals (the ones that usually lean in the most) perfectly parallel, then your eye doesn't really believe it. The building could only look like this if it is the size of a doll's house, or your eye had a lens the size of an astronomical telescope. The distortion caused by over-compensation is clearly apparent in the outermost hanging lanterns. Because we expect a tall building to loom inwards at the top, the parallel verticals make the building look as if its sides lean out. For this reason, as an architectural writer, I generally avoid images where the verticals have been made parallel and try to source the image that the photographer created before the digital adjustment. I am not recommending that the image should not be adjusted at all, but I'm suggesting that a lesser degree of adjustment, that allows the great height of the building to be experienced by the viewer, would be preferable. Amandajm (talk) 05:55, 9 January 2014 (UTC)[reply]
I don't know what the horizontal and vertical angle of view is here but suspect the vertical one is quite large and may be at the limit to what a rectilinear projection can achieve without significant distortion. It is taken from ground (eye) level so the projection's midpoint isn't high. The projection is the same whether achieved in software or by a lens. Look at my St Matthew's FP below. That wasn't a stitched/software photo but was taken with a 17mm crop lens (25.5 mm in 35mm terms). I was fortunate to be able to take it from the rear gallery so I'm at the midpoint vertically, which reduces vertical perspective distortion issues. I cropped this picture at the top to remove the circular iron light-holders nearest the camera (you can see the ones further away). I had to do this because they were at the corners of the wide-angle image and no longer elliptical but clearly wonky. People would have complained. As it turns out, I prefer the wider aspect picture and the height loss wasn't important. Now 25mm is just a standard wide angle, nothing extreme. So my point is these issues can occur with a normal wide angle lens and not just with a stitched image that takes rectilinear projection towards its limits. All projections to a 2D plane are distorted and unlike human vision (which is not a 2D plane at all) so it is a case of balancing the various distortions to create something pleasing. I agree that reducing vertical perspective correction can sometimes produce a more natural image and you are right that reality does make far-away ceilings smaller. -- Colin°Talk08:38, 9 January 2014 (UTC)[reply]
I'm surprised that as an architectural writer, you prefer non-corrected images. Almost all architectural photography is vertically corrected (where it is possible to correct), so I think you are going against the grain on that. Wikipedia's own article on Architectural photography states: "A tenet of architectural photography is the use of controlled perspective, with an emphasis on vertical lines that are non-converging (parallel). This is achieved by positioning the focal plane of the camera at so that it is perpendicular to the ground, regardless of the elevation of the camera eye. This result can be achieved by the use of view cameras, tilt/shift lenses, or post-processing." In the case of this image, I used post-processing, but the result is identical to any other method. There's nothing less authentic about it. I accept that for an interior (most interiors have a landscape aspect ratio), this has a fairly extreme correction at the ceiling, but I don't think that extreme leaning verticals would have looked aesthetically pleasing either. In any case, I agree with Colin that our eyes see a scene in a way that cannot be replicated in a 2D photo, so any attempt to do so must involve distortion of some kind. In addition, the visual perception system in our brain gives us the impression of taking in a scene all at once, but really we look around and absorb smaller aspects at a time, building up a 'virtual' picture of a scene that isn't necessarily geometrically accurate. Also, the eye has a natural field of view much wider on the horizontal axis than vertical, so any perspective leans that we see are even less pronounced vertically. Finally, the size of the building (doll's house or grand hall) has no relevance to how it appears. The issue is not the size of it, but the relative distance to it. If you could fit a camera inside the doll's house and pointed it upwards to the ceiling, you'd have exactly the same distortion/leaning of verticals. Likewise, if you could remove one of the walls and look into the Guildhall from a distance, you would be able to eliminate most of the leaning, certainly comparable to looking into a dollhouse. It's just geometry - size of the subject is irrelevant. Ðiliff«»(Talk)10:19, 9 January 2014 (UTC)[reply]
Voting period is over. Please don't add any new votes. Voting period ends on 16 Jan 2014 at 05:54:23 (UTC)
Reason
High quality and historically significant photograph. The photo is eerily beautiful. It shows a rare meeting between a President of the United States with the President of the Philippines in the Malacañang Palace. Can I request that this be featured on the People Power anniversary on February 25.
Comment - Is this really the best quality of this photo we can find? I'm not going to oppose it because it's a great shot, but it's a bit milky and noisy, and I suspect the original wasn't. nagualdesign (talk) 15:51, 6 January 2014 (UTC)[reply]
Comment, composition is excellent. The human interest and interaction/non interaction between the three parties is great. But the background, in particular , is so grainy that it looks as if noise has been deliberately added. It is alternately speckled light and dark. Amandajm (talk) 05:39, 9 January 2014 (UTC)[reply]
The speckled background is likely due to unsharp masking, IMO. The grain is much less affected in areas of continuous tone. Which begs the question, is there a pre-digital/unprocessed copy available? nagualdesign (talk) 01:55, 10 January 2014 (UTC)[reply]
Response I just nominated that above. That's a different image. This nomination was about a state visit in Manila while the other one was held in Washington.--Theparties (talk) 14:22, 9 January 2014 (UTC)[reply]
Oppose — Dark, grainy, no topical focus and not very good focus on faces. Plus picture on opposite wall appears to rest on LBJ's head. Sca (talk) 15:56, 9 January 2014 (UTC)[reply]
Response I think it's pretty clear that Imelda is the focus of this picture and the dark and grainy look doesn't subrat anything from that. The other two guys are the background compared to her position. The portrait-on-head is not much of a problem since a person looking at it would first see the center.--Theparties (talk) 17:10, 9 January 2014 (UTC)[reply]
Voting period is over. Please don't add any new votes. Voting period ends on 27 Jan 2014 at 07:53:55 (UTC)
Reason
Unique image & no higher res available. Historic/Notable (extensive discussion of image in RSes). It "illustrates the subject in a compelling way, making the viewer want to know more". It's a highly-evocative and extremely effective work of art.
Voting period is over. Please don't add any new votes. Voting period ends on 18 Jan 2014 at 00:46:34 (UTC)
Reason
High quality, high EV (greater EV viewed as a set). All notes are from the Smithsonian Institution collection. This set nomination is a complete type reference set of U.S. Treasury Notes, Series 1890 and 1891. Treasury notes (also referred to as Coin Notes) were issued in two series: 1890 (also known as the “fancy back” design) and 1891 (the “open back” design). Unlike some of the other U.S. banknotes in circulation at the time (e.g., Gold and Silver certificates), Treasury or Coin notes could be redeemed in either gold or silver specie at the discretion of the United States Department of the Treasury.
The series of 1890/1891 was issued in denominations of $1, $2, $5, $10, $20, $50 (1891 only), $100, $500 (approved for 1891 but never issued), and $1,000. The majority of the notes depict historically significant figures in U.S. military history (6), as well as a Secretary of State, Secretary of the Treasury, and a Chief Justice of the United States. Captions include: denomination, reference number, and person depicted.
Oppose Doesn't really grab me, and the EV doesn't seem particularly high. The article on Defence Housing Authority, Karachi doesn't mention the mosque aside from in the caption for the lead image. Nev1 (talk) 21:07, 10 January 2014 (UTC)[reply]
Voting period is over. Please don't add any new votes. Voting period ends on 18 Jan 2014 at 12:42:04 (UTC)
Reason
Striking image with high EV capturing the behaviour of a rare and dangerous animal in the wild. I think the exceptional encyclopaedic value compensates for minor technical shortcomings.
Oppose You are only seeing a fraction of the animal. No legs, no tail. Though very cool, I would say this is not a very encyclopaedic image. Mattximus (talk) 20:26, 9 January 2014 (UTC)[reply]
What you see is the animal eating. That is a different thing from presenting the animal as a whole, and obviously has to be focused on the mouth. Many FPs only show the head of the animal. Also, the usual desire at FPC to see the whole body of the animal and all sharp, leads to the bias of having mostly static images, and very few showing active behaviour. From 41 reptile FPs only two show action (one mating and one feeding). From 130 mammal FPs only five are eating and nine other show some non-static activity. Even from a sample of 100 bird FPs, only nine fly and six eat. --ELEKHHT22:34, 9 January 2014 (UTC)[reply]
Oppose Although I completely understand the concerns regarding the bias towards static images that were expressed above, this image is not good enough, I'm afraid. Technically, the light is harsh and the lizard does not appear very sharp. On the EV side, the fact that there is nothing in the picture to provide a sense of scale (the plants and the rocks are too far in the background to be of any use and neither the carcass nor the lizard appear whole) makes the viewer think that this is a lizard of ordinary size, while the Komodo dragon is a rather huge animal (or are we dealing with a juvenile lizard?). The fact that the lizard is eating is the only thing on the plus side, which is not enough for an FP. --Ebertakis (talk) 22:21, 10 January 2014 (UTC)[reply]
Response The people in the back does not interfere with the subject matter. Imelda still occupy at least half of the image and the viewer still focuses on that. It is also about a significant national historical event, the 2006 Southern Leyte mudslide. --Theparties (talk) 04:07, 10 January 2014 (UTC)[reply]
A crowded background does not a great portrait make. Just take a look at the various categories for pictures of people. This is useful for her article, but nowhere near FP quality. — Crisco 1492 (talk) 07:55, 10 January 2014 (UTC)[reply]
Response How often do you have photos of these kinds of events about the 1960's that is also freely available? --Theparties (talk)
All the time, when it has to do with the US government. If you want group photos from the 60s/70s that are also high quality, check out our images of the Apollo crews. — Crisco 1492 (talk) 07:52, 10 January 2014 (UTC)[reply]
Oppose At the risk of seeming harsh, this is a pretty poor photo - it's not level, the subjects are looking away from the camera (with a couple in awkward poses) and there appears to be a clumsily removed digital watermark or something on the roof behind the official party. I don't think that this has much EV, and the technical standards are terrible: goodness knows why it was ever published given that this is the kind of image most photographers would chuck out. Nick-D (talk) 21:55, 10 January 2014 (UTC)[reply]
Comment — I'm not sure if the up-the-nostrils angle is dramatic or just gimmicky. Nor is it apparent what this 1966 photo illustrates other than a routine state visit. (And those eyes over F. Marcos's left shoulder, do they belong to Dean Rusk?) Sca (talk) 15:44, 9 January 2014 (UTC)[reply]
Response I think the angle is made to accentuate Imelda's beauty in contrast to the others as she seems to be the most prominent person in terms of location. The photo represents the controversial relationship between U.S. presidents and the soon-to-be dictator F. Marcos, so if this was done today, it wouldn't be just a run-of-the-mill state visit. And who is Dean Rusk?--Theparties (talk) 16:57, 9 January 2014 (UTC)[reply]
Oppose and please stop nominating low quality images of Marcos (though this is better than some). This has little encyclopedic value with such an angle. — Crisco 1492 (talk) 02:05, 10 January 2014 (UTC)[reply]
Response First of all, I didn't upload any of these photos so it is not my fault why the are "low quality" in your opinion. Second, being "low quality" doesn't necessarily prevent an image from becoming featured, like the image of Michael Collins below (which you voted for by the way), as long as it represents historic value, and this image pretty much represent that value in terms of the contradiction of the Philippine-United States relationship during the martial law era and the democratic ideals both countries claim to represent.--Theparties (talk) 03:53, 10 January 2014 (UTC)[reply]
The Collins image was from 1922. This is from 1966. That's a significant gap in terms of technology and expected deterioration of the prints before digitalization. The "historic value" you tout has already been questioned by Sca, above, as nothing here says anything more than "state visit". Composition and such ("up-the-nostrils", to quote) are poor, though not as poor as the one you nominated below. — Crisco 1492 (talk) 07:52, 10 January 2014 (UTC)[reply]
Oppose I agree with Crisco: the composition here is not good and the mild historic value of the image does not compensate for its flaws. Nick-D (talk) 09:30, 10 January 2014 (UTC)[reply]
Support - Great framing, maybe a little soft when zoomed in, but really quite good. Thanks for posting all these excellent photographs. Mattximus (talk) 02:28, 13 January 2014 (UTC)[reply]
Comment I feel there is, however, a slight issue of scale, I wasn't aware of how big it was until I saw [5]. It looked much smaller to me, but perhaps I'm the only one.
Not particularly big, in my opinion. 5.25 by 5.25 metres (17.2 ft × 17.2 ft) at the base and 8 metres (26 ft) in height. Sambisari is (volume wise) bigger. A person in the frame for scale would just end up blocking the view, IMHO. — Crisco 1492 (talk) 03:16, 13 January 2014 (UTC)[reply]
Judging from the thumbnail though, it really looks about 3-4 metres tall to me. I suppose the camera angle is suggestive. It looks like you're taking the photo from around 40-50% of the height of the structure, although being so close to it, the angle might make it deceptive. Ðiliff«»(Talk)18:43, 15 January 2014 (UTC)[reply]
It's possible. I tried to photograph from a bit higher up, allowing a more heads-on view. Though to be honest in person it didn't look 8m tall. As for the angle, this is the only one that gives the impression of 8m. — Crisco 1492 (talk) 20:50, 15 January 2014 (UTC)[reply]
Could it be that it just looks like it has a bench around the base made for someone to sit? I agree with Diliff, I estimated it maybe 3m tall, not 8. I think it's due to how it looks like I can go up and sit right on it. Still believe it's a featured picture. Just as an aside, the problem exists for the dome at St. Peter's Basilica, which doesnotlook like one of the largest domes in the world. Mattximus (talk) 23:55, 15 January 2014 (UTC)[reply]
Support - I believe there is sufficient dynamic range in this image. In terms of actual highlight and shadow clipping, the only highlight clipping is in the lights themselves (which is entirely expected) and shadow clipping is limited to the prompter's box on the stage. Perhaps the photo seems a bit overexposed. I have offered an edit with mild curves adjustments should it allay some concerns, but I prefer the original. Tokugawapants (talk) 12:00, 12 January 2014 (UTC)[reply]
You can't fix exposure problems on a JPG. What's clipped is clipped. I doubt even the raw file has the dynamic range needed. This really needs HDR techniques. If it were one or two light clipped then I'd let it pass, but the lighting is a feature and there is no detail in the lamps. -- Colin°Talk18:56, 13 January 2014 (UTC)[reply]
Comment - Could use a bit of fly-specking, and the print was obviously damaged on the door. I could do a digital restoration, if you wish. — Crisco 1492 (talk) 14:47, 10 January 2014 (UTC)[reply]
Comment -- I wasn't aware this image was up for nomination until the edit was promoted to featured picture. As one of the editors of the original image, I'd like to comment here for the record (belated though it may be). While the original could stand some minot cleanup, the edit is not an improvement in my opinion. The whole image has been blurred slightly causing a loss of detail and crispness. While I don't necessarily disparage the offending editor for such an amateurish hack as he simply may not know any better, it's a shame that not one single other editor here managed to bring this up. – JBarta (talk) 23:54, 22 January 2014 (UTC)[reply]
I mentioned it, at the Commons nomination, and there were no issues there with the slight loss of detail. Until such time as a scan can be gotten which is saved in a lossless format before editing, I doubt there is much we can improve on. — Crisco 1492 (talk) 00:10, 23 January 2014 (UTC)[reply]
Support both but prefer crop. Seems a bit lost in the original (mostly due to large amount of space dedicated to sky and grass), but would be happy with either one. Nice pic! Mattximus (talk) 01:06, 12 January 2014 (UTC)[reply]
Support original - I believe this is an excellent photograph, and I strongly prefer the original over the cropped version. I believe the original benefits from the additional context; I think that the original gives us a better idea of how the house fits in with the grounds, yet the house is still prominent and dominant in the frame. I like the framing of the original better, with the two tallest trees on either side (the crop has weaker framing on the left). My eyes are drawn to the clean expanses of sky and grass that exist in the original but are truncated in the crop. I like how, in the original, you get a more complete view of the cloud formation above the house, almost forming a halo above. I feel like the additional context amplifies this building's majesty. To me, the building seems more profound and more important in the original, perhaps because there is more extra space around it, space that seems to serve the building. The extra degrees of perspective also helps remind me where Monticello is in the world and gives me that much more confidence that there are no skyscrapers lurking in the background to challenge the space. Tokugawapants (talk) 11:36, 12 January 2014 (UTC)[reply]
Support original and Oppose edit, per Tokugawapants. The spatial context is important here, so the original showing more of the grounds has higher EV. --ELEKHHT23:11, 14 January 2014 (UTC)[reply]
Voting period is over. Please don't add any new votes. Voting period ends on 22 Jan 2014 at 11:58:00 (UTC)
Reason
Good quality and EV of a country where we get few pictures from. People add a good sense of scale. On a side note, the pictures of the supreme leaders Khomeini and Khamenei give a sense of how closely linked religion and politics are in that area.
The requirements are a bare minimum, but there are other considerations as well. A 1500 pixel film poster is unlikely to pass; most which have passed have been north of 2000 on the smallest side. Such a large piece of architecture (this gives 250,000 square meters, and this gives 250 hectares) cannot be shown in adequate detail at 1,500 pixels tall. — Crisco 1492 (talk) 14:13, 12 January 2014 (UTC)[reply]
Why is it you don't have a higher resolution image Muhammad? It looks downsampled... Pretty sharp at 100%, too sharp for a bayer sensor at native res. Ðiliff«»(Talk)08:56, 14 January 2014 (UTC)[reply]
Weak oppose - image seems slightly off center and/or tilted. I'm also noticing some red chromatic aberration on the women at far left. It's a nice image overall, but I think we can have better. Chris857 (talk) 03:20, 13 January 2014 (UTC)[reply]
Voting period is over. Please don't add any new votes. Voting period ends on 23 Jan 2014 at 09:51:24 (UTC)
Reason
Very valuable, high resolution image, of a sultan from Indonesia. Considering how long Hamengkubuwono VII reigned, I could easily track down enough information to expand his article.
Support -- I believe it meets all the criteria, especially #5. There wouldn't be much of an article without this photo. Would be nice if the article were expanded. Tokugawapants (talk) 08:08, 22 January 2014 (UTC)[reply]
Support -- Adds a lot of value to the article. MatGTAM (talk) 3:55, 22 January 2014 (UTC)
Voting period is over. Please don't add any new votes. Voting period ends on 23 Jan 2014 at 12:39:29 (UTC)
Reason
Aerial photo of one of Newport Beach's inner Harbor Island, Lido Isle, Newport Beach this was the first place in the state of California to have underground utilities. In 1906, what now is Lido Isle (then originally a sandbar), it was incorporated as part of the City of Newport Beach. The Pacific Electric Railway Company’s "Red Car Line" from Los Angeles to Balboa was completed at that time, as well, helping make Newport Bay a popular vacation spot. The railway sold off surplus right-of-way land in 1923, and what was to become Lido Isle, Newport Beach (then Huntington Island, before that Electric Island) was sold for $45,000 to oilman W.K. Parkinson for development as a commercial shipyard. After dredging the island up to about 11 feet above the mean high tide line, his commercial project never materialized, and in 1928, the land was purchased by an investment group headed by developer William Clarke Crittenden. Crittenden, along with Swiss architect Franz Herding, envisioned a plan for developing Lido as a Mediterranean-themed residential resort area, patterned—and named—after the famous Lido of Venice, a beautiful (and one of Europe’s most fashionable at the time) resort on Italy’s Adriatic coast.
Support as nominator --WPPilot 12:39, 13 January 2014 (UTC)
Comment Seems good, however does feel hazy at the top portions. I do like how the main center of the this picture is the island which is nice. ///EuroCarGT04:21, 14 January 2014 (UTC)[reply]
Oppose per Crisco. There may not be a better scan of this particular painting out there right now, but that doesn't mean that we should promote a substandard one. J Milburn (talk) 21:53, 14 January 2014 (UTC)[reply]
Comment - This file should have some flyspecking done. The image appears to have been quite dirty when it was scanned. I can do it if you want. — Crisco 1492 (talk) 22:59, 13 January 2014 (UTC)[reply]
I have uploaded my restored version over the original one.
Support: For those who are wondering why there is an American flag here, this photograph was taken while Quezon was leader of the Philippine's government in exile in the United States during World War II. He died two years after this picture was taken. — Crisco 1492 (talk) 04:07, 14 January 2014 (UTC)[reply]
Support When you pixel-peep his forehead there's a white spot which I presume is some kind of error, but that should be easily fixed and isn't visible at sensible resolutions. As the composition is good and the American flag provides extra EV I think that this meets the FP criteria: thank you for nominating it Theparties. Nick-D (talk) 10:59, 14 January 2014 (UTC)[reply]
Yeah, the provenance of this image is a little odd here. According to my reading of the LOC page, it was created by the Office of War Information/Farm Security Administration, but their copy of the image was acquired from the Press Association, Incorporated (i.e. not directly from the OWI). Another possibility is that it was taken by the Press Association and then rights were transferred to OWI in 1944. Either way, that should be PD. — Crisco 1492 (talk) 23:12, 14 January 2014 (UTC)[reply]
Voting period is over. Please don't add any new votes. Voting period ends on 24 Jan 2014 at 12:58:12 (UTC)
The complete Dresden Codex in the correct reading sequence (pages 1-24, 46-74, 25-45) from left to right, including empty pages
Reason
This image has tremendous historical and informational value: it shows the entire Dresden Codex, the oldest book written in the Americas, one of the last and most significant Mayan Codices surviving to this day.
Comment - I've not looked at the file closely, but at only 967 pixels tall, I'm not sure the resolution is good enough. I also think that separating the sheets would make the files more flexible in their use on Wikimedia projects. - hahnchen18:29, 14 January 2014 (UTC)[reply]
Support I thought I may have agreed with the comments above, but on closer inspection I really enjoyed scrolling along the image, being able to compare several pages at once. For that purpose I'd say it has great EV, and the relatively small height means it fits nicely on the screen at 100%, and you stand a better chance of being able to view it than you would with a higher resolution. Works fine in IE11 and looks great in the article. nagualdesign (talk) 04:00, 18 January 2014 (UTC)[reply]
Support Excellent picture with high EV. Any larger and it would be very inconvenient to view. Art and culture from the great Mesoamerican civilizations is grossly underrepresented in our featured collection and I think this would be a very nice edition. MatGTAM (talk) 7:59, 18 January 2014 (UTC)
Oppose This is an awesome picture with very high EV. And I don't mind the file format. I do oppose on the grounds that the height is less than 1000px, and would love to see greater detail in each of the panels. I feel we are missing quite a bit by having the vertical resolution so low. Mattximus (talk) 23:52, 22 January 2014 (UTC)[reply]
I agree with him, that though that the view is only of the keep, not the whole 'Tower of London' complex. I think realistically, given available viewpoints, the only complete view is from a neighbouring building, such as this one. Ðiliff«»(Talk)18:39, 15 January 2014 (UTC)[reply]
However, to take a picture from that angle you would only be able to get the outer walls and perhaps the walls immediately beyond, missing out the Tower's most iconic feature. An aerial photograph of the sort Diliff highlighted is the only way to get most of the castle in shot (hence why I added that particular image; the one it replaced was too busy). Nev1 (talk) 17:44, 17 January 2014 (UTC)[reply]
Support I assumed it was Featured here already. It's a damn good picture of the castle, and should probably be in our article on White Tower (Tower of London). It shows the castle's most famous feature, but in such a way that it's not divorced from its context. The composition shows it's a busy place with Traitor's Gate leading down to the Thames. Nev1 (talk) 17:44, 17 January 2014 (UTC)[reply]
Voting period is over. Please don't add any new votes. Voting period ends on 24 Jan 2014 at 23:37:28 (UTC)
Reason
High quality, (I'd say) acceptable EV. The photo is encyclopedic as it depicts a prominent Georgian and Soviet politician. Also, somewhat similar to Saddam's photo.
Voting period is over. Please don't add any new votes. Voting period ends on 25 Jan 2014 at 04:59:28 (UTC)
Reason
High level of historic value. Sha-có-pay who's name apparently means "The Six" was painted from life by George Catlin. Catlin traveled throughout Western North America and painted Indians at a time when the only contact with Whites was from explorers and traders. The painting shows traditional Plains Ojibwe clothing such as a beaded buckskin shirt, a buffalo-hide blanket robe, eagle feathers, hair pipes, and a beaded necklace that is unique to the tribes of the northernmost plains (Ojibwe and Cree). Painted at Fort Union in 1832.
Support. Love the caption- the main page blurb will practically write itself! Great EV for Carlin, the Ojibwe people and, of course, the subject himself- would fit in People/Political, People/Traditional or Painting FP categories. J Milburn (talk) 17:46, 16 January 2014 (UTC)[reply]
Oppose. This is not the best Catlin painting - or the best image by him that Wikipedia has. It has very limited EV stuck in the bottom of a gallery on Catlin's article and the article written on the painting itself can't even determine which of the several Shacopee's this is a painting of. He may even be a "multi-tribal" person so the painting's use as an example of dress in individual tribe articles may be limited. Rmhermen (talk) 18:24, 21 January 2014 (UTC)[reply]
The other Shacopee's are Dakotas (albeit with Ojibwe heritage) but the one Catlin painted could only be Shacopee II, however that Shacopee was forced to only identified himself as Dakota after the signing of Treaty of Fond du Lac in 1826. The man in the Catlin painting also has an Ojibwe wife and was painted far from Minnesota at Fort Union in North Dakota along the Montana border. I have already nominated two other Catlin paintings that now have feature status and believe this one to be of equal quality. The remaining images by Catlin on this site are too small for feature quality. The image has a better place in the George Catlin article. MatGTAM (talk) 10:41, 21 January 2014 (UTC)[reply]
This may or may not be Shacopee II who was a Ojibwe adopted by Sioux - and later in life identifying with the Sioux - and his clothes have been identified as Sioux, not Dakota in a source in Sha-có-pay. (And the related painting of his wife is claimed to show her wearing a Dakota man's garment.) There are questions on Caitlin's reliablity here.[6] See also the discussion on identity at Talk:Sha-có-pay. How much EV can this have if we haven't id'ed the subject? The image has been stuck in the Saulteaux article, despite that being a Canadian tribe (maybe also "far from Minnesota" where Shacopee II lived?). Rmhermen (talk) 20:30, 23 January 2014 (UTC)[reply]
There might be an ever so slight tilt to the left. However, if you're judging it from the fact that the window arches are not both meeting at the exact corner of the frame, that would give you an exaggerated sense of tilt, as any deviations from horizontal are accentuated there due to the extremely wide point of view. It could also be because the building is not absolutely symmetrical, or that I haven't taken the photo from the precise centre of the hall. I tried to rotate the image so that identical objects on either side of room were horizontal and parallel, but that ended up making the windows tilt even more noticeably. If there is indeed a need for some sort of correction, it's likely a complex and minute perspective correction and not a simple tilt. To be honest, I don't think it's worth the trouble. Ðiliff«»(Talk)18:13, 15 January 2014 (UTC)[reply]
Ah, ok. The tilt may be noticed by comparing the bar betwen the portraits and the front window with a straight line, in particular. I gave the image a 0,49 deg clockwise rotation in PS (without upload), but, as usually, several pixels would go in that case. Brandmeistertalk20:10, 15 January 2014 (UTC)[reply]
Support While I wish NASA wouldn't compress their JPGs quite so much, this one is decent resolution so I'll let that pass. -- Colin°Talk11:18, 3 January 2014 (UTC)[reply]
Support. This image has become a high EV. It is a perfect space selfie. For the "space" part, it has the full image of the sun, the earth and the space station. How often we have all three together? For the "selfie" part, most space selfies by astronauts only have the head part. This one shows the top torso and the arms extending to the camera, the signature pose of the selfies. Also the reflection added EV to show how a space selfie can be done. Z22 (talk) 07:59, 6 January 2014 (UTC)[reply]
Voting period is over. Please don't add any new votes. Voting period ends on 26 Jan 2014 at 10:54:28 (UTC)
Reason
I'm giving a try despite some scaffolding, which is rather compensated by huge resolution. This is also perhaps the finest Hadrian Arch out of three known, eclipsing even that in Italy.
How's that? It's hard to tell from photos on the Internet which bits of the arch are plumb and which are not, so I rotated just a little to level the foundation. The verticals are more vertical and the steps are flat, but the top of the structure is slated (as I suspect is the real thing). Of course, the whole thing may have subsided, but I couldn't find any reference that says so. Also square cropped, as suggested. nagualdesign (talk) 03:26, 18 January 2014 (UTC)[reply]
Comment Having been there I can see how taking a great photo would be challenging. I am not going to oppose its FPC, but I can not support it. --AdmrBoltz20:23, 18 January 2014 (UTC)[reply]
Voting period is over. Please don't add any new votes. Voting period ends on 27 Jan 2014 at 14:55:24 (UTC)
Reason
It's an interesting 'action shot/portrait' photo, with pleasant lighting which highlights the subject well. There is already a featured picture of Petra Martic but this one is quite different and doesn't duplicate the other image.
Hmm, strong shadows was the main (non dental related) issue with the other FP also. But where exactly is the problem? I don't think this image has as much of an issue with shadows, as the only part of her that is really dark is her forehead above the eyes. Obviously there is strong contrast in the late afternoon light and that's what's great about the image IMO. I've got plenty of images of people serving in even, overcast lighting but that also makes the image a bit... boring and undramatic. Anyway, the main problem with dodging the shadows is the introduction of noise - it didn't really work in the other FP and I don't think it will work here. Ðiliff«»(Talk)11:58, 18 January 2014 (UTC)[reply]
But they are different subjects and fulfil different purposes on her article page. The previous FP is an infobox style headshot, this one is an action shot. I don't think it's fair to support conditionally on a delist of another image unless there's an obvious improvement on the same subject and it therefore fulfils the same purpose in the article(s). That's not the case here IMO. The way I see it, if you like this image but not the other, support it here and then file a delist nomination separately. Let the community decide what the decision should be, but don't try to manipulate this FPC to get a result that goes beyond this nomination. Ðiliff«»(Talk)09:34, 19 January 2014 (UTC)[reply]
Precisely. I would not put this image in the infobox, at least not with a headshot available. The infobox is for immediate identification, whereas her playing can be an illustration of her style or the tournament she is participating in. — Crisco 1492 (talk) 10:22, 19 January 2014 (UTC)[reply]
But the portrait only provides "immediate identification" of facial characteristics (that would have EV for actors, models, etc), but not what the subject is notable for (tennis player). The texture of her skin, eye colour, etc are much less relevant. Hence I think this is by far the better image for the infobox. I am consistent here with my previous stance on human FPs and would like to see images promoted that provide indication of the subjects profession/notability. I think the promotion of portraits simply because they are high-res is yet another area of FP bias, as if spots on the skin or teeth shape would be the most important information an encyclopaedia can provide. I take however Diliff's other point and withdrew the "conditional". --ELEKHHT23:24, 19 January 2014 (UTC)[reply]
There's a reason why identification in official papers etc. is done with portraits (piss poor ones, but portraits nonetheless): the specific combination of eye color, skin tone, facial contours etc. are specific enough to individuals that they allow easy identification. That goes for any individual, be it a tennis player or a Wikipedian. I'm not saying we should feature all portraits we can get, but they do have high value. — Crisco 1492 (talk) 23:31, 20 January 2014 (UTC)[reply]
I agree, I think identification of an individual is equally important (and featureable) regardless of what they are notable for. That said, if an image can be constructed in such a way that they are easily identifiable and doing what they are notable for, so much the better. In fact, I wouldn't even say that this image of Petra serving is necessarily a good image to identify her, but it does show what she looks like on a tennis court. Currently, the vast majority of our featured portraits are fairly regular bog standard formal portraits. I suppose it doesn't follow that Elekhh personally supported them, but the precedent is there. Also, I think it's missing the point if you think a high res portrait's only benefit is to show skin blemishes and teeth imperfections. We need to think beyond mere thumbnails in articles. Featured images can have a multitude of uses, many requiring high resolution to print at a reasonable DPI without pixelation. Ðiliff«»(Talk)12:03, 21 January 2014 (UTC)[reply]
Weak support, full support conditioned on better use of the images in the article. This is a good action shot, and I see no issues with the shadows--it's an accurate depiction of a person in bright sunlight (context matters for an action shot). I would prefer to see the portrait as the lead, since that's pretty standard for any encyclopedia including this one, and I don't think the French Open shot with the busy background is adding that much. Chick Bowen05:09, 23 January 2014 (UTC)[reply]
Your wish has been granted (by Elekhh, it seems), and it is now the lead image. While I don't think the French Open shot is particularly good, the article is large enough to accommodate three photos and it would be a shame to remove a photo of her from earlier in her career just to find a better place for this image. I'm not really convinced that the bottom of the article is the best place for the 'conventional' portrait of her now, but I'll leave the article alone and see if anyone else has an opinion. Ðiliff«»(Talk)10:56, 23 January 2014 (UTC)[reply]
Please feel free to revert my previous edit and fully support this FPC. Can also start a discussion on the article talk page. I'm not surprised if a more conventional layout gets more support. --ELEKHHT02:16, 24 January 2014 (UTC)[reply]
Neutral, leaning toward weak oppose. It's featureable on the same logic as Church's, I guess, but if you think about the size of the canvas, it's only 31.3 pixels per inch. At that resolution an image of the Mona Lisa would be less than a thousand pixels high. Chick Bowen05:05, 23 January 2014 (UTC)[reply]
Voting period is over. Please don't add any new votes. Voting period ends on 28 Jan 2014 at 12:07:50 (UTC)
Reason
This schematic map well-describes the outline of the constitution of the Edu-Clubs visually. The Edu-Clubs is a model federalPolity in Excel Group of Schools and is one among the very few of its kind in India, where school students are elected through various levels to create an administrative hierarchy to administer the federal setup. The illustration is of good quality and resolution.
Comment When compared to those in the History Club, the delegate and volunteer dots in the Delegates Communion of the Theatre Club look ellipsoid. Is this just me? 129.234.114.138 (talk) 21:19, 18 January 2014 (UTC)[reply]
Oppose, related article is a candidate for deletion. As stated above, image is visually interesting and unnecessarily confusing (i.e., it's ultimately just a table of data). --Kinut/c05:33, 24 January 2014 (UTC)[reply]
Support I like this one, there is another featured picture of the same species but it is no longer used in the article and is below standards. I like the purple flowers in the background, adds some nice colour to the picture. MatGTAM (talk) 11:46, 24 January 2014 (UTC)[reply]
Voting period is over. Please don't add any new votes. Voting period ends on 28 Jan 2014 at 20:21:01 (UTC)
Reason
The image is a great shot of the Rodovia, taken from the shoulder of the Rodovia Anchieta, 3.9 mp is low by today's standards, but this photograph was taken in 2007. Out of the other shots of this area, I believe its the best one that represents it. It has a PD license, and is well described, categorized, and the touchups have been to correct minor flaws, not completely rework the image. The image is considered a Commons Quality and Valued image, and is at Commons FPC right now as well.
Support Awesome. I was probably going to nominate this myself sometime or another. I like how its not just a boring self portrait but shows him with his painting tools in the actual setting in which he would paint his subjects. MatGTAM (talk) 9:36, 18 January 2014 (UTC)
Support - Art critics could probably (and likely already have) talk about how the Native Americans are cast in the shadows, whereas Catlin is front and centre with good lighting, but that doesn't affect the EV here. — Crisco 1492 (talk) 00:58, 19 January 2014 (UTC)[reply]
Support An interesting tidbit is that the image is also offered in twelve tiles, 29,696×29,696 px each, which, if printed and combined, would yield a mind-blowing overall resolution of 89,088x118,784 px. Brandmeistertalk09:23, 19 January 2014 (UTC)[reply]
Hot damn. Commons can take up to 1 GB using batched uploads, so something of a somewhat similar size would be workable... if the photo editing software didn't break down upon trying to open such a large image. — Crisco 1492 (talk) 22:58, 19 January 2014 (UTC)[reply]
Someone should write a script that would assemble tiled images on Commons into a scrollable image. Seems pretty doable--it's how a lot of the museum websites do it. Chick Bowen04:56, 23 January 2014 (UTC)[reply]
Support - When people complain about German Wikimedians going to concerts and being subsidized by the chapter, we can point to this and say "It works". — Crisco 1492 (talk) 22:57, 19 January 2014 (UTC)[reply]
Voting period is over. Please don't add any new votes. Voting period ends on 30 Jan 2014 at 12:59:03 (UTC)
Reason
High quality aerial view with high EV (VI at commons). The only picture that shows the entire church (the church is difficult to photograph from the ground, surrounded by tall trees and buildings).
Support Lacks wow factor, but this is a very crisp image which shows the church and its setting clearly. Retaking the photo (if possible) in summer might produce fewer shadows, but the trees would then get in the way, so this is likely the best possible photo of the area (and we can always delist and replace if a better one comes along). Nick-D (talk) 10:13, 24 January 2014 (UTC)[reply]
Voting period is over. Please don't add any new votes. Voting period ends on 31 Jan 2014 at 22:39:39 (UTC)
Reason
This is an interesting image that gives a unique perspective of the scope and culture of the subject matter (electronic sports), by showing the grandiose scale, as well as audience members and teams near and far, in relation to the camera. In addition, it is of satisfactory quality, contrast and scope.