From today's featured articleThe 1999 FIFA Women's World Cup was the third edition of the world championship for national teams in women's association football. Hosted by the United States, it took place from 19 June to 10 July 1999 at eight venues across the country. The 1999 edition was the first to field sixteen teams and an all-female roster of referees and match officials. It was played primarily in large American football venues, with an average attendance of 37,319 spectators per match and total attendance of 1.194 million, a record that stood until 2015. The final, played at the Rose Bowl in Pasadena, California, was attended by 90,185 people, setting an international record for spectators at a women's sporting event. The United States won the tournament by defeating China in a penalty shootout after a scoreless draw. The tournament increased interest in women's soccer in the United States, and led to the establishment of a professional league. (Full article...)
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Jane Elizabeth Conklin (b. 1831) · Rettamalai Srinivasan (b. 1859) · Germaine Thyssens-Valentin (d. 1987) |
The Entombment is a glue-size tempera-on-linen painting attributed to the Early Netherlandish painter Dieric Bouts. It shows a scene from the biblical entombment of Christ and was probably completed between 1440 and 1455 as a wing panel for a large hinged polyptych altarpiece. The now-lost altarpiece is thought to have contained a central crucifixion scene flanked by four wing panel works half its height – two on either side – depicting scenes from the life of Christ. The smaller panels would have been paired in a format similar to Bouts's 1464–1468 Altarpiece of the Holy Sacrament. The larger work was probably commissioned for export to Italy, possibly to a Venetian patron whose identity is lost. The painting is an austere but affecting portrayal of sorrow and grief. It shows four female and three male mourners grieving over the body of Christ. They are, from left to right, Nicodemus, Mary Salome, Mary of Clopas, the Virgin Mary, John the Evangelist, Mary Magdalene and Joseph of Arimathea. The Entombment was first recorded in a mid-19th century Milan inventory and has been in the National Gallery, London, since its purchase on the gallery's behalf by Charles Lock Eastlake in 1861. Painting credit: Dieric Bouts
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