Cosima Wagner (1837–1930) was the daughter of pianist and composer Franz Liszt, and the second wife of composer Richard Wagner. She was previously married to the conductor Hans von Bülow. With Wagner she founded the Bayreuth Festival as a showcase for his stage works; after his death she directed the festival for more than 20 years, building its repertoire to form the Bayreuth canon of ten operas and establishing it as a major event in the world of musical theatre. She opposed theatrical innovations and adhered closely to Wagner's original productions of his works, an approach continued by her successors long after her retirement in 1907. Under her influence, Bayreuth became identified with antisemitism and theories of German racial and cultural superiority. This was a defining feature of Bayreuth for decades, into the Nazi era which closely followed her death in 1930; thus, although she is widely perceived as the saviour of the festival, her legacy remains controversial. (Full article...)
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