Sonatas and Interludes is a collection of twenty pieces for prepared piano by American avant-garde composer John Cage (pictured). Forty-five notes are prepared, using screws, nuts, bolts, pieces of rubber and plastic, and an eraser. The pieces were composed between February 1946 and March 1948, shortly after Cage's introduction to Indian philosophy and the teachings of art historian Ananda K. Coomaraswamy, both of which became major influences on the composer's later work. Significantly more complex than his other works for prepared piano, Sonatas and Interludes is generally recognized as one of Cage's finest achievements. The cycle consists of sixteen sonatas and four more freely structured interludes. The aim of the pieces is to express the eight permanent emotions of the rasa Indian tradition. In Sonatas and Interludes, Cage elevated his technique of rhythmic proportions to a new level of complexity. In each sonata a short sequence of natural numbers and fractions defines the structure of the work and that of its parts, informing structures as localized as individual melodic lines. Cage dedicated the work to Maro Ajemian, a pianist and friend, who performed it many times. (Full article...)
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