Yasunao Tone (刀根 康尚, Tone Yasunao, born 1935) is a multi-disciplinary artist born in Tokyo, Japan and working in New York City. He graduated from Chiba University in 1957 with a major in Japanese Literature. An important figure in postwar Japanese art during the sixties, he was active in many facets of the Tokyo art scene. He was a central member of Group Ongaku and was associated with a number of other Japanese art groups such as Neo-Dada Organizers, Hi-Red Center, and Team Random (the first computer art group organized in Japan).[citation needed] Tone was also a member of Fluxus and one of the founding members of its Japanese branch.[1] Many of his works were performed at Fluxus festivals or distributed by George Maciunas’s various Fluxus operations. Relocating to the United States in 1972, he has since gained a reputation as a musician, performer and writer working with the Merce Cunningham Dance Company, Senda Nengudi, Florian Hecker, and many others.[2][3] Tone is also known as a pioneer of “Glitch” music due to his groundbreaking modifications of compact discs and CD players.